Maya Angelou Quotes
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Self-pity in its early stage is as snug as a feather mattress. Only when it hardens does it become uncomfortable.
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We may encounter many defeats but we must not be defeated.
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I've learned that you shouldn't go through life with a catcher's mitt on both hands; you need to be able to throw something back.
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It is impossible to struggle for civil rights, equal rights for blacks, without including whites. Because equal rights, fair play, justice, are all like the air: we all have it, or none of us has it. That is the truth of it.
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I'm working at trying to be a Christian, and that's serious business. It's like trying to be a good Jew, a good Muslim, a good Buddhist, a good Shintoist, a good Zoroastrian, a good friend, a good lover, a good mother, a good buddy - it's serious business.
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I find in my poetry and prose the rhythms and imagery of the best - I mean, when I'm at my best - of the good Southern black preachers. The lyricism of the spirituals and the directness of gospel songs and the mystery of blues are in my music or in my poetry and prose, or I missed everything.
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When I cook for my family on Christmas, I make feijoada, a South American dish of roasted and smoked meats like ham, pork, beef, lamb, and bacon - all served with black beans and rice. It's festive but different.
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I've read everything Thomas Wolfe ever wrote; my brother and I memorized whole chapters of 'You Can't Go Home Again' and 'Look Homeward, Angel.'
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Though I do manage to mumble around in about seven or eight languages, English remains the most beautiful of languages. It will do anything.
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I know that I'm not the easiest person to live with. The challenge I put on myself is so great that the person I live with feels himself challenged. I bring a lot to bear, and I don't know how not to.
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On Saturday afternoons when all the things are done in the house and there's no real work to be done, I play Bach and Chopin and turn it up real loudly and get a good bottle of chardonnay and sit out on my deck and look out at the garden.
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Shakespeare - I was very influenced - still am - by Shakespeare. I couldn't believe that a white man in the 16th century could so know my heart.
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A cynical young person is almost the saddest sight to see, because it means that he or she has gone from knowing nothing to believing nothing.
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All men are prepared to accomplish the incredible if their ideals are threatened.
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I've still not written as well as I want to. I want to write so that the reader in Des Moines, Iowa, in Kowloon, China, in Cape Town, South Africa, can say, 'You know, that's the truth. I wasn't there, and I wasn't a six-foot black girl, but that's the truth.'
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I could fall in love with a sumo wrestler if he told stories and made me laugh. Obviously, it would be easier if someone was African-American and lived next door and went to the same church. Because then I wouldn't have to translate.
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Loving someone liberates the lover as well as the beloved. And that kind of love comes with age.
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At fifteen life had taught me undeniably that surrender, in its place, was as honorable as resistance, especially if one had no choice.
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I never had that feeling that I had to carry the weight of somebody's ignorance around with me. And that was true for racists who wanted to use the 'n' word when talking about me or about my people, or the stupidity of people who really wanted to belittle other folks because they weren't pretty or they weren't rich or they weren't clever.
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Life loves to be taken by the lapel and told: 'I'm with you kid. Let's go.'
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In the flush of love's light, we dare be brave. And suddenly we see that love costs all we are, and will ever be. Yet it is only love which sets us free.
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Human beings love poetry. They don't even know it sometimes... whether they're the songs of Bono, or the songs of Justin Bieber... they're listening to poetry.
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All of us knows, not what is expedient, not what is going to make us popular, not what the policy is, or the company policy - but in truth each of us knows what is the right thing to do. And that's how I am guided.
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Of course, there are those critics - New York critics as a rule - who say, 'Well, Maya Angelou has a new book out and of course it's good but then she's a natural writer.' Those are the ones I want to grab by the throat and wrestle to the floor because it takes me forever to get it to sing. I work at the language.