Joe Gibbs Quotes
Quotes to Explore
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If people take an interest in you and they think there's half a chance, they might hang on. It's dreadful.
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I am very emotional. It took me many years to recover from the death of my father. Even when I was playing cricket, I wasn't happy. I would just sit and cry. I was very young. He was too young; he shouldn't have gone. Cricket is all right. We all play sport. Good and bad days come.
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I don't look at myself as suffering.
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As far as I'm concerned, if you want to find out about the last day of WWII or the roots of the Indian Mutiny, get thee to a books catalogue.
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If my client calls me and says, 'I'm going to a friend's premiere,' I'll say, 'Come over and let's do something cute.' And I won't bill them for that.
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The great love of my life is music.
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Life does not accommodate you, it shatters you. It is meant to, and it couldn't do it better. Every seed destroys its container or else there would be no fruition.
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On Nov. 5, 2012, my friend Elliott Carter died in New York at the age of 103. For me, he was and remains one of the most interesting figures of music history in the past century.
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I just feel like the days of a handful of executives making the decisions for the entirety of the human public have gone on long enough.
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A man with a million dollars can be as happy nowadays as though he were rich.
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I think when you start analyzing trends and start making shows for a particular audience, you are making a fatal move. I think that's why people are doing too many revivals, that's why there's a plethora of rock musicals. There's room for everything, but not room for too much of anything.
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The success of the movie industry comes from the story. And the story comes from somebody putting something down on paper.
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I take stuff because I'm inspired by it.
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Before the Human Genome Project, most scientists assumed, based on our complex brains and behaviors, that humans must have around 100,000 genes; some estimates went as high as 150,000.
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I really like the old stuff that I cut my musical teeth on, and I loved it when the industry was just like that, without really a genre. Today, country radio's more aimed at a demographic than a genre. It just softens everything.
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Thinking back to boyhood days, I remember the bright sun on Harlem streets, the easy rhythms of black and brown bodies, the sounds of children streaming in and out of red brick tenements.
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Here's my goal: I want to make a seriously dark show, and not on a network that has ever done that.
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I want to create a thousand paintings, maybe two thousand paintings, as many as I can draw.
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Lettuce is like conversation; it must be fresh and crisp, so sparkling that you scarcely notice the bitter in it.
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I don't mean to diminish the job, it's a good job and a real pressure job. But I don't think a relief pitcher should ever be the most valuable player of a league. We only play in maybe half of the games. Being a relief pitcher means part-time employment. We're bench players, and bench players shouldn't be M.V.P.
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If you have to keep reminding yourself of a thing, perhaps it isn't so.
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The emergency funding measure cannot be short-sighted -- it cannot simply replace bullets for bullets and bombs for bombs spent in Kosovo.
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He's very valuable to us. We can't afford to lose somebody like that.
