Joe Wright Quotes
Quotes to Explore
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I try very hard to handle things equally: ideas, materials, and images.
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I could be the best looking guy in the Duma, but that's only because all the other guys are over 60.
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I was certainly a better actor after my five years in Hollywood. I had learned to be natural - never to exaggerate. I found I could act on the stage in just the same way as I had acted in a studio: using my ordinary voice, eliminating gestures, keeping everything extremely simple.
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My mind is vacant on names, but I know him as well as anything. When I need names they drop out of my head; when I don't need them they drop back.
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During a movie, chemistry is so important, and yet they just assume actors can fake their way through it. That doesn't always work.
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I think coming to work and being absurd and neurotic and thoughtful at the same time is far more interesting.
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I write, having seen what's happening already in my head. I see it as a movie, and I'm just writing down what's happening in front of me.
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But when I played Woodstock, I'll never forget that moment looking out over the hundreds of thousands of people, the sea of humanity, seeing all those people united in such a unique way. It just touched me in a way that I'll never forget.
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I don't look at myself as suffering.
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I don't like it when a woman looks like a fashion victim.
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I was in the doldrums for a while after my athletics career ended in 1992. I spent six to eight hours a day training, for 18 years, and it took a long time to get over the regret that I wasn't competing in major championships any more. All I ever wanted to be was the best. But I find new projects and I keep things in perspective.
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Don't get me wrong, magic is cool. But a nervous mother singing to her child at night while something moves quietly through the dark outside her house? That's a story. Handled properly, it's more dramatic than any apocalypse or goblin army could ever be.
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We try to guide with a light touch. Sometimes we can be helpful, and my goal with my team, both on the series side and on the film side, is that the collaboration should always be invited. In other words, we're not looking to impose our view on the filmmaker; we hire a storyteller because we love the story, and we love their ability to tell it.
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I want to serve the people.
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The ingestion of brain-altering chemicals - legal or illegal - cannot be categorized as good stewardship of our earthly lives.
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I'm boring. My beliefs are neither here nor there.
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In the '70s, my playing was completely untutored, but it sounded good to me, and I tried to find ways to make those very simple things work in more ambitious contexts.
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I went to Beijing for the Olympics and was literally right across the track from Usain Bolt. And when he gets to full stride, for every two steps the other guy's taking, he's just taking one.
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If he can basically prepare, be the starting quarterback, come in and execute and keep his head right, then I feel good about Weeden.
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I've been into fashion since birth. I grew up in the 'hood, and everybody in the 'hood wants to compensate for being in poverty, so they want to look good to keep themselves up.
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Comfort and luxury are usually the chief requirements of life for your ego - its top priorities tend to be accumulations, achievements, and the approval of others.
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Well, it's more of a sane life to be part of an ensemble! I find that the work can be more specific too and I have to really make sure I know where I am in the story because I'm not in every scene.
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The fact that there is nothing but a spiritual world deprives us of hope and gives us certainty.
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I'm not good when idle.
