Joel Coen Quotes
When you do a writing job for a studio, one of the things you want to do is satisfy the expectations of your employer. That's a little bit different than when you sit down and write something to satisfy yourself, because then you're the employer.
Quotes to Explore
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Every great work of art has two faces, one toward its own time and one toward the future, toward eternity.
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Most actors can't make any kind of living.
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I love to see women who are comfortable in their skin and dress to suit their body - that looks fabulous because it's authentic.
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You're either ghetto or you're not.
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The defiance of established authority, religious and secular, social and political, as a world-wide phenomenon may well one day be accounted the outstanding event of the last decade.
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It is fairly well-known what has been behind that climate change denial in America: vast sums pumped into an ignorance industry by the oil and gas lobbies.
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Anyone can make an article longer; the skill is keeping it tight and lean.
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I've lived in New York for 40 years. I came right after college.
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If my client calls me and says, 'I'm going to a friend's premiere,' I'll say, 'Come over and let's do something cute.' And I won't bill them for that.
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Power in politics, sovereignty in America is with we the people, and that is the path to turning this country around: empowering the people.
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For me, religious festivals and celebrations have become an important way to teach my children about how we can transform living with diversity from the superficial 'I eat ethnic food', to something dignified, mutually respectful and worthwhile.
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A revolution is a struggle to the death between the future and the past.
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Lend your ears to music, open your eyes to painting, and... stop thinking! Just ask yourself whether the work has enabled you to 'walk about' into a hitherto unknown world. If the answer is yes, what more do you want?
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I'll never get married again, and I always hate to say never to anything, but I will never marry again.
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Guys back in the day, we didn't have wallets. I never kept my money in my pocket; my money always went in my sock. My key my mom gave me, I put it in my sock - whatever it was.
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For, he that expects nothing shall not be disappointed, but he that expects much - if he lives and uses that in hand day by day - shall be full to running over.
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I offer originality: you don't know what my films are like until you go to them. I think that's the reason I've been getting all this attention.
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By the time I got to set for 'Cobra,' I think I'd lost about 28 pounds in about a month and a half. I didn't want to look back and be like, 'Wow, someone should stop eating PB and J's.' Like, if I'm going to look back when I'm 80, I wanted to be like, 'Wow, okay, I looked pretty fit. I used my youth right.'
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I feel like I'm quite versatile. I want to do lots of different styles.
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I really enjoyed playing Freddie Cork. People are always scared to approach me because of the character I played in 'Brotherhood.' The writing was very smart.
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I think a melody is a melody. And the way I usually start is I start writing my themes without even writing to picture to just try to find the tone for the movie or the TV show.
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The Danes and the Irish have a great simpatico, that's for sure.
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When you do a writing job for a studio, one of the things you want to do is satisfy the expectations of your employer. That's a little bit different than when you sit down and write something to satisfy yourself, because then you're the employer.
