Joel Coen Quotes
Maybe our telling of the story wasn't as clear as it should have been, but I don't think that's true. In terms of understanding the story, it comes across.
Quotes to Explore
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People look to time in expectation that it will eventually make them happy, but you cannot find true happiness by looking toward the future.
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A lot of my work involves instilling objects with the power of touch - a transference of soul, spirit, energy through actions.
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I'm great at a deathbed. I've never given tranquillisers or psychiatric medicine. I've given love and fun and creativity and passion and hope, and these things ease suffering.
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I've been too many places. I'm like the bad penny.
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The mutated Marfan gene creates a defective version of fibrillin, a protein that provides structural support for soft tissues like blood vessels. Marfan victims often die young, in fact, after their aortas grow threadbare and rupture.
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For everybody that does something bad there's gotta be someone that does something good.
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I'm constantly trying to keep people guessing as to what I'm doing, and I will spend enormous amounts of time looking at manuscripts and asking questions, and people will say, 'I know what his next book is about.'
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I work in my attic, and the view is next door's chimney stack.
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Anything's possible if you've got enough nerve.
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I loved to sing in family parties, for my friends and family. That's how I discovered my talent.
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I'm never running for office. I love being able to speak to members of Congress or members of the Senate and floating on either side, because it takes all of us. It's going to take both of them.
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Growing up, I had a terrible pudding-bowl haircut. I used to cut it myself, and I'd sew my own clothing, too. I looked a little strange compared to the other kids. But the thing was, I felt I looked amazing, so what other people thought never bothered me.
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I do my best work if I think about what it is I have to offer.
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As a teenager, I put a lot of pressure on myself, and a lot of that, for me, was about finding a moral high ground. As I've grown up, I've decided to abandon that because it made me judgmental and also stressed me out.
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Fashion's about extravagance, and everyone needs a bit of that.
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I love to eat. If I could eat everything in the world and still be healthy or wouldn't catch a heart attack or stroke, I'd eat everything. I just can't. So I got to watch my health and take care of my family.
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Watergate just happened to come along at the same time as the demand for honesty in relations between the sexes, in advertising, in ecology, in almost everything. It just stumbled into that great big elephant trap that had already been built for it.
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One problem with age is that patience begins to ebb.
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This goes to demonstrate the fact that John Howard established this inquiry in order to bring about his own absolution, not to bring about any form of accountability.
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When you do something that works you have a happiness, but I don't know if it's a feeling of power. Power is a frightening thing and that's not what I'm interested in. I want to do certain things and make them right in my mind and that's it.
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The first thing to change in my painting was the color c. 1908-09. I forsook natural color for pure color. I had come to feel that the colors of nature cannot be reproduced on canvas. Instinctively I felt that painting had to find a new way to express the beauty of nature.
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If I go to the National Gallery and I look at one of the great paintings that excite me there, it's not so much the painting that excites me as that the painting unlocks all kinds of valves of sensation within me which return me to life more violently.
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We are a small, open economy, highly dependent on global flows. It is inevitably a demand that dramatically alters and that is reflected in what we feel here in New Zealand. So there is at its most basic level a limit to what we can do and that is true everywhere.
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Maybe our telling of the story wasn't as clear as it should have been, but I don't think that's true. In terms of understanding the story, it comes across.
