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The tricky thing becomes: Do you know yourself well enough to then portray that on screen? And for me, I find that really hard. I'd rather hide behind accents and funny walks.
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You have to stick to what you love and purse that at all costs. Don't choose money first; it won't make you happy.
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It's an incredibly liberating feeling to have a skirt on. In fact, I know you can buy skirts, and you can buy work kilts and all sorts of stuff.
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I blame my work for a lot of things. I thank my work for a lot of things, too, but the trouble with being so passionately involved in work is that it becomes like a lover, like your partner, because it nourishes you.
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I don't want to be too power-hungry.
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Actors want to act; actors want to emote. It's like the emotional equivalent of tearing your shirt off and screaming to the heavens: you want to express, and you want to be seen to be expressing.
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The sum total of all my stop-starts have made me less concerned about the future. I'm just aware now that I'll always land on my feet somehow.
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If, at the end of the day, I can look back and see pictures of all the characters I've played, and there's a smorgasbord of weirdos and interesting, odd, different characters, I'd be so happy.
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The Australians are actually the worst of the criminals from the United Kingdom, but not worst as in toughest. They're the ones who did stupid little things and got caught for it. Bad criminals.
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I really like kids.
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Having rain on your tuxedo is a pretty good reminder that you're not James Bond.
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Sometimes Hollywood manages to knock a movie in its teeth so hard that it never manages to get back up.
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I never sing out loud because I'm afraid people will go, 'Shut up!'
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There's a stage where you're desperate to get a job, and you're waving your hands in a sea of nothingness, going, 'Please, please, please! I'm over here - give me a job!'
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Every job leaves its residue, a bit of extra knowledge, a new skill-set.
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One wrong move, and you destroy your career.
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I never really think too much about my voice.
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I think the great thing about characters is the ways that they can be surprising. I mean, sometimes you think you've got a lock on a personality, even just in life, and then they'll shock you by their behavior.
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I'm a pacifist.
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I was raised Catholic, and I remember in all the pamphlets and pictures we'd look at, Jesus was basically blonde with blue eyes. He kind of looked like Jared Leto.
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Particularly when you're making a movie of a book, people are always waiting with their knives - you know?
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When you're constantly involved in domination, what you're really looking for is constant highs.
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I always kind of aim with the action stuff to make it feel like, as an audience member, you're experiencing what the people are experiencing. As soon as you go into slow-mo or repeated edits, shooting it like it's a stunt, it takes it out of that reality. The more real you make that stuff, the more tense it will be.
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I would have happily done 'Bourne Legacy,' but a lot of decisions are made for you.