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I love the idea of real-life experiences finding their way into fiction. I think that's really cool.
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I oftentimes find with movies that the heavier the onscreen situation is, the more levity there is off screen. It's almost out of necessity.
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I think the life of an actor is very glamorous to other people - then, realities set in.
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My whole journey and career has been really interesting, but the one element it never really had was any sense of great momentum.
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The narrator of a documentary often comes in at the last minute and takes some of the glory they don't deserve.
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I'm not saying I'm a family guy, but maybe that's what people see in me: some kind of paternal quality.
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I don't want at the end of my life to look back at just a bunch of fictional movies I was involved in that kept taking me away from the real world.
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The nature of human beings is that we're competitive, and the chances are there's someone out there who's going to work harder than you and want it more than you.
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Whereas 'Avatar' and other movies get shocks out of their three-dimensionality, 'Gatsby' is going to be about inviting the audience into this larger-than-life drama, letting them almost be inside the room rather than looking at it through the window. I think it will really work.
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There's the pressure of being a No. 1 on the call sheet, being a lead actor. There's almost this feeling like being captain of the team. You want to put a bit of energy into actually setting a good example.
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Gavin O'Connor, I'd walk into a fire for that guy. He's a brilliant filmmaker and a passionate man.
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If I'm going to work for twelve hours a day, I want twelve hours of awesomeness!
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Unfortunately, the Egyptians weren't the greatest artists in the world.
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It's tricky. I've never been standing at the top of the tree with tons of money thrown at me. I've never really had a profile. So in a way I have this 'nothing to lose' attitude.
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I remember being bullied at school, and I remember being cruel to other kids.
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Whenever you're trying to do your own take on a classic piece of literature, it's almost like you're trying to swim up your own stream or drive down your own path.
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A lot of the fighters will say you'll know if a fighter's won or lost just by a fighter's eyes - whether they're scared of the other person.
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As an actor, I'm constantly striving to find the darkness in the lighter characters and the lightness in the darker characters.
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One of the great joys of being able to write something you can make, if you get certain actors you want and love, you're kind of buying yourself a front row seat to watch them work.
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I did my holy communion, and it was amazing how quickly the stories of the Bible and God and Jesus got under my skin.
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I think, often with Australian films, if an Australian film has been given the seal of approval by an offshore festival or an offshore release, then it does mean a lot to a local audience.
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In Australia, there aren't a lot of people committed to art, so these communities form that are dedicated to music, theater, cinema, but they're very small. So, they tend to move ahead on the power of collaboration, enthusiasm and creativity.
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To me, 'Warrior' was a real turning point - probably one of the greatest experiences I've ever had as an actor on set.
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It's funny how sometimes you learn things off the Internet before they're actually told to you.