Joel Edgerton Quotes
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I really like kids.
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Everybody's a mix of good and bad choices that they make.
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Getting the call from Ridley Scott made me think that sometimes you just need to go to work.
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There's never been a mathematical equation that says a good experience making a movie equates to a good movie, or a bad experience on a set is going to lead to a bad movie.
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When you're constantly involved in domination, what you're really looking for is constant highs.
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I really believe guilt finds its way out of a person.
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I've signed four autographs for Sam Worthington in L.A., and I haven't told any of the people that I'm not him.
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I reckon I would be able compare anything to anything else if you gave me enough time.
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I don't appreciate, really, talking to journalists when there's a sense of wanting to kick up dust to sell more papers or get more hits on their Internet site.
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My brother and I are best friends.
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I would have happily done 'Bourne Legacy,' but a lot of decisions are made for you.
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I wanted to make a movie that was kind of a tribute to the way I feel when I watch a John Hughes movie.
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Sometimes I think being an actor is like being a dog for a director; it's like they throw a stick, and you want to fetch it and bring it back to them. You want a pat on the head for it.
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The little bit of buzz around 'Warrior' led to a lot of opportunities anyway, before the movie even came out.
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Having rain on your tuxedo is a pretty good reminder that you're not James Bond.
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I always kept myself fairly fit.
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I just love good movies. And not every movie you're going to end up in is always going to turn out right, but at least walk into it with the right intention.
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I never sing out loud because I'm afraid people will go, 'Shut up!'
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I don't call acting a real job, and writing is a hobby.
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The only way for you to show what you can do is to actually do.
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I'm a bit of a workaholic.
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You've got to be really careful that you're not falling into the Hollywood trap, you know?
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The downside to making movies at a gallop like we did with 'Wish You Were Here' is that we're shooting four or five scenes in a day, and it's very exhilarating, but you worry at the end of the day that you missed some details because you were moving too quick, and you just gotta trust and be ready straightaway.
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I operate under the theory that all publicity is good publicity, and then, if that theory doesn't work, you just say that any newspaper article ends up on the bottom of the parrot cage. But, of course, you can't line a parrot cage with Internet bloggers, can you?