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I never really think too much about my voice.
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Particularly when you're making a movie of a book, people are always waiting with their knives - you know?
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If, at the end of the day, I can look back and see pictures of all the characters I've played, and there's a smorgasbord of weirdos and interesting, odd, different characters, I'd be so happy.
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There's a stage where you're desperate to get a job, and you're waving your hands in a sea of nothingness, going, 'Please, please, please! I'm over here - give me a job!'
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I never sing out loud because I'm afraid people will go, 'Shut up!'
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I wanted to make a movie that was kind of a tribute to the way I feel when I watch a John Hughes movie.
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When you're constantly involved in domination, what you're really looking for is constant highs.
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'The Great Gatsby' ticked so many boxes for me.
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I've signed four autographs for Sam Worthington in L.A., and I haven't told any of the people that I'm not him.
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The only way for you to show what you can do is to actually do.
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The downside to making movies at a gallop like we did with 'Wish You Were Here' is that we're shooting four or five scenes in a day, and it's very exhilarating, but you worry at the end of the day that you missed some details because you were moving too quick, and you just gotta trust and be ready straightaway.
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I would have happily done 'Bourne Legacy,' but a lot of decisions are made for you.
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That's one of the great privileges, being an actor, is that someone pays you and sends you off to learn about something that otherwise you'd never know about.
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I always kept myself fairly fit.
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There's never been a mathematical equation that says a good experience making a movie equates to a good movie, or a bad experience on a set is going to lead to a bad movie.
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I really believe guilt finds its way out of a person.
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Sometimes, what's not said is just as important to the writing as what is said. As a writer, we have our voices heard. I think that, at oftentimes, the ability to allow the dialogue to recede properly into the world of the film is also a really valid sort of way to be a writer, I think.
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The little bit of buzz around 'Warrior' led to a lot of opportunities anyway, before the movie even came out.
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All I can say is working with Ridley Scott is a dream come true.
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I just love good movies. And not every movie you're going to end up in is always going to turn out right, but at least walk into it with the right intention.
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I operate under the theory that all publicity is good publicity, and then, if that theory doesn't work, you just say that any newspaper article ends up on the bottom of the parrot cage. But, of course, you can't line a parrot cage with Internet bloggers, can you?
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I tend to take on a lot of things. And then they all just seem to happen at once. Or maybe I'm not good at saying 'No'. But the juggling's fun.
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You can road-test relationships.
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I'm pretty skeptical about Hollywood and its fascination with the sequel and the franchise.