Joel Madden Quotes
Quotes to Explore
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The true self seeks release, not constraint. It doesn't want to be corseted in a sonnet or made to learn a system of musical notations. It wants liberation, which is why very often it fastens on the novel, for the novel seems spacious, undefined, free.
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I had spent my childhood making up adventures in my head. Then I realized when I went to acting school that there were adventures written down, and you could learn lines, and you could do the adventures for real, not just in your head.
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I didn't make any friends in New York by insisting on moving the league headquarters to Cincinnati. The fact was that my son Bill was in school. His mother had passed away, and I didn't want to take the boy away from his school and to a strange city.
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The conventional wisdom is that if you are gay, you cannot play the romantic straight lead in a movie.
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Few things parallel the bonding that occurs post-performance when congratulatory remarks are awarded, regrets are confessed, and gossip is exchanged.
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In real terms, there is a greater disparity of earnings between the very rich and the very poor.
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What I would like to do is make sure every primary school child has a library card, so where parents don't get their children library cards, we'll see if we can get schools to step in and make sure that every child has one.
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I was really, really star-struck when I met Prince.
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It was never the fame or fortune that drove me to act. It was something I love and enjoy doing it. A lot of people identify who they are by what they do and that's not me. It's what I do but not who I am. Who I am is a parent. I'm a family man.
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The parts of graffiti I like are really antagonizing still - it's not something that a museum would really embrace.
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I'm a pro-life candidate because I believe that science is proving us right every day.
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I think about death a lot, I really do, because I can't believe I won't exist. It's the ego isn't it? I feel that I should retreat into a better form of Zen Buddhism than this kind of ego-dominated thing. But I don't know, I mean, I want to come back as a tree but I suspect that it's just not going to happen, is it?
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The only people who usually have input on my writing are my wife and my editor. I'm not in conversation with anyone except the people I report on and the people I work with.
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Working within the limitations of the shared world generally made the writing easier, because I didn't have to invent any of the characters or background, which is usually the hardest part.
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Nobody can give you freedom. Nobody can give you equality or justice or anything. If you're a man, you take it.
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In high school, during lunchtime I would go in the room where the wrestling mats were and try different flips and different moves. Like windmills. I just started mixing martial arts with jazz and contemporary stuff and it would get mashed together and became my style.
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We live in a world of communication - everyone gets information about everyone else. There is universal comparison and you don't just compare yourself with the people next door, you compare yourself to people all over the world and with what is being presented as the decent, proper and dignified life. It's the crime of humiliation.
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If a nation cannot face its past, it has no future.
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I think of the French polymath Boris Vian (1920-1959) who burned the candles of his creative genius at every end he could light. And I think of the way Zimbabwean author Dambudzo Marechera (1952-1987) hammered with
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'Farscape' is not what you call hard science fiction.
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I've read a hundred fantastic scripts that didn't pan out as films, and I completely put that on the directors. I've also read some mediocre scripts that have ended up being amazing, and I credit that to the directors. They're the storytellers. If you don't have a good storyteller, you really have nothing.
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Sorry if i spit on ya'll... I kinda have a problem with doing that.
