Joel Sternfeld Quotes
Quotes to Explore
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I have received the greatest honor in my life - and the greatest surprise. Never did I dream that the Nobel Prize could be awarded for the reciprocal relations.
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It's great when a director like Cameron Crowe can take what you do and fit it into what he's doing. If someone's a fan of you already, they can take what you do and make it work for what they're doing. You don't know their vision, and you're thinking, 'How is this guy going to take what I do and make it work in this movie?'
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On a large scale, people aren't going to cut back how much they use. That's a pipe dream. If anything, as the developing world gets richer, the world's going to consume more - more cars, bigger homes, more energy, more water, more food.
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You should never say 'D'Brickashaw' and 'bust' in the same sentence. You should never even think that. It should be D'Brickashaw, Pro Bowl, D'Brickashaw, Jets, Super Bowl.
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Sydney's beautiful, the weather's great, and the air's fresh and clean, but it doesn't have the scene and the amount of likeminded people. At home, things are very comfortable, but I feel like putting myself out there a bit.
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I really miss things like going to football games and pep rallies, and when I come home to Tulsa, I always try to go to those things.
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I never could get on with representative individuals but people who existed on their own account and with whom it might therefore be possible to be friends.
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Suning Appliance has no problem of financial risk. Do you think I'm risky? I'm definitely not risky.
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Films like 'Bond' fund training schemes for film technicians of the future, and working on films themselves provides a great training ground for budding directors and cinematographers. If there's no money there for films to be made, it's like a house of cards, it all comes tumbling down.
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I had rather be called a journalist than an artist.
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Television offered me the opportunity to do new things; I had written a lot of scripts other than scary movies. I had actually written some romantic comedies and stuff that I really wanted to try my hand at, and nobody would let me do that. Television allowed me to do anything I wanted.
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I've been a victim in every film I have done so far. It would be nice to play someone who doesn't get killed for once. Then again, I am getting really good at screaming and fake tears.
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Anybody that believes that a country can be maintained that has no ethnic core to it or no linguistic core to it, I believe, is naive in the extreme.
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I throw a spear into the darkness. That is intuition. Then I must send an army into the darkness to find the spear. That is intellect.
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Music has no subject beyond the combinations of notes we hear, for music speaks not only by means of sounds, it speaks nothing but sound.
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If you live in rock and roll, as I do, you see the reality of sex, of male lust and women being aroused by male lust. It attracts women. It doesn't repel them.
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Well, we've faced very difficult decisions and challenges in our country, every one of us have, as we - since September 11th, as we fought the war on terror, all of those decisions that the President had to make to put young men and women in harm's way.
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No 27-year-old has the experience to run a company that does a quarter of a billion dollars a year in sales.
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I will not say anything about my father. Period. I don't have a dad.
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I didn't know if I could be funny on stage or write a joke. But I saw that there are no rules. If you're funny offstage, you can figure out a way to be funny onstage.
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It's sad that people forget sometimes that there is a whole legitimate world of artists and actors out there that work their entire life, every day on perfecting their craft, but yet don't get any acknowledgement for their extraordinary commitment to their profession.
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As a jobbing actor or musician, you have to take any work you can get.
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I took photos from 1976 to when I left in 1993, primarily for Interview and a column I had called "Bob Colacello's Out" which Andy had conceived of. I've never taken a picture since, not even with my phone! It just felt too Andy Warhol to keep going around town taking photographs. And I never really thought of doing anything with them after I left the magazine until this great Art Director Sam Shahid about for or five years ago asked where all of the old photos were.
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When you have unity, I think it squares the reach or power of the work.
