Johann Georg Zimmermann Quotes
Quotes to Explore
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I'm not any more moral than my neighbors.
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I have an issue with rage. I'm going to work that out, long term.
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The 'Islam vs. the West' dialogue ceased to be about real people a long time ago.
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You can't go around hoping that most people have sterling moral characters. The most you can hope for is that people will pretend that they do.
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Business chief executive officers and their boards succumb to the pressures of the financial markets and their fears of takeovers and pour out their energies to produce quarterly earnings - at the expense of building their companies for the long term.
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Filming is quite exciting because every day is different, but it can involve long hours standing around in chilly locations. Theatre is a very different challenge because every night you're striving to keep it fresh, even though you might have been performing the same play for months.
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That's something USA Hockey has been trying to do for a long time is prove that we can play with the Canadians and the Russians and the Swedes and Finns consistently on a tournament basis.
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Nevertheless, this one fact should be apparent: turning the other cheek is a bribe. It is a valid form of action for only so long as the Christian is impotent politically or militarily.
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When you are doing a long scene, you have dialogue and interaction to narrate the character. But making sense out of facial expression and reacting is difficult. Having said that, I think such challenges are good for learning.
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Americans have long recognized the need to protect our public lands and their vast resources.
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The path of progress cuts through the four-way intersection of the moral, medical, religious and political - and whichever way you turn, you are likely to run over someone's deeply held beliefs.
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Always try to rub up against money, for if you rub up against money long enough, some of it may rub off on you.
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I can think of no other writer who so thoroughly embodies the Jamesian spirit as Alison Lurie. Like him she can excavate all the possibilities of a theme. Like his, her books seem long, unbroken threads, seamless progressions of effects.
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When I was a kid, in a very white boarding school in England in the '90s, I had this sort of middle part that kids had - that sort of long, floppy hair. So I was always desperate to have long, floppy hair, and I would try and brush it and spray it, and it would just look like a Brillo pad!
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If we were motivated by money, we would have sold the company a long time ago and ended up on a beach.
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We live too long for one marriage.
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When I was eight years old, I wrote a paragraph-long short story about a goat on my mother's hundred-pound, black-and-white-screen laptop. The story came about largely because I liked the way the word 'goat' looked on the page, but I decided then and there that I wanted to be a writer. That desire never changed.
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Life is one long jubilee.
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Every child’s life is sacred and it is long past time that we protect it.
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The body of work I create combines traditional storylines and postmodern narrative strategies to approach themes such as belonging, identity politics and conflict, as well as the push towards - and resistance against - modernization.
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When an accident or a crime happens, there's a period of time before the yellow tape goes up, before the official response becomes formalized. That allows the nightcrawlers to get very close.
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Sheep farming is heavily subsidized in Great Britain. Without the subsidies, the green grazing in the valley of the River Exe would be gone. The handsome agricultural landscape of which the British are so proud, carefully husbanded since Boudicca's day, would be replaced by natural growth. The most likely growth is real-estate developments.
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Just as there are no little people or unimportant lives, there is no insignificant work.
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A moral lesson is better expressed in short sayings than in long discourse.
