Johann Kaspar Lavater Quotes
Quotes to Explore
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Body experience... is the centre of creation.
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British society has never been cleansed of the filth of imperialism.
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Everyone has their opinion, and if no one criticizes, how will I improve my work?
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Quiet is the new loud.
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When you become a sannyasin, I initiate you into freedom, and into nothing else... I am destroying your ideologies, creeds, cults, dogmas, and I am not replacing them with anything else.
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But one of the things I learned is that when you fight for something you believe in and you tell the truth and you do your best, you can always hold your head up high and no one can take that away from you.
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I had a lot of fun with my costume designer.
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All the characters on 'Girls' are growing and changing, which is how real people behave, especially when we're young, trying to figure out who we are, doing things that are the polar opposite of our characteristics.
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Like at home, I don't wear heels. But everywhere else I go, I wear heels.
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A good system shortens the road to the goal.
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It is said that Obama speaks 'professorially,' a fact that understates the quickness and agility of his mind.
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My original aim after 'The X Factor' was to earn enough money in a year to make the whole experience worth it - you know, buy a car, a flat.
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We must uphold the fighting of tigers and flies at the same time, resolutely investigating law-breaking cases of leading officials and also earnestly resolving the unhealthy tendencies and corruption problems which happen all around people.
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You can't win unless you learn how to lose.
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I'm into fashion because it contains the mood of the day, of the moment - like music, literature, and art.
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Jazz scares me. I've witnessed so many incredible singers and jazz musicians. Pop and soul music have always been the things that I felt like I could do.
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Men do not quit playing because they grow old; they grow old because they quit playing.
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I don't just whisper it, I say it and I say it: 'The United Nations is an anti-Semitic organization, an anti-Israel organization.'
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I have a variety of styles. I don't stick to one particular style.
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The first play I did was a funny one called 'The School for Wives', by Moliere. We were wearing the ugliest wigs and the worst costumes you can ever imagine to try to recreate 17th-century France in Singapore. But I got my first real pay cheque from that. I was very happy taking that cheque to the bank.
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My way of fitting in was through jokes and making people laugh.
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The good Lord was the one who provided everything for me.
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Who makes quick use of the moment is a genius of prudence.
