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The poverty of our century is unlike that of any other. It is not, as poverty was before, the result of natural scarcity, but of a set of priorities imposed upon the rest of the world by the rich.
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The autobiographical doesn't interest me. I could think of few things less interesting than rooting about in my life.
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The camera relieves us of the burden of memory. It surveys us like God, and it surveys for us. Yet no other god has been so cynical, for the camera records in order to forget.
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Until 1954, I'd only ever thought of being a painter, but I earned my money when and where I could. You could say I drifted into writing.
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When I was about seven, one or two people encouraged me, and art became an enormous and important refuge. By adolescence, I was absolutely passionate about it and felt those paintings and those painters, whether they lived a few hundred years ago or were still alive, were somehow my companions.
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Compassion has no place in the natural order of the world which operates on the basis of necessity. Compassion opposes this order and is therefore best thought of as being in some way supernatural.
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Emigration, forced or chosen, across national frontiers or from village to metropolis, is the quintessential experience of our time.
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The relation between what we see and what we know is never settled. Each evening we see the sun set. We know that the earth is turning away from it. Yet the knowledge, the explanation, never quite fits the sight.
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Protest and anger practically always derives from hope, and the shouting out against injustice is always in the hope of those injustices being somewhat corrected and a little more justice established.
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When we read a story, we inhabit it. The covers of the book are like a roof and four walls. What is to happen next will take place within the four walls of the story. And this is possible because the story's voice makes everything its own.
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What makes photography a strange invention is that its primary raw materials are light and time.
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Drawing is a way of coming upon the connection between things, just like metaphor in poetry reconnects what has become separated.
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A drawing is an autobiographical record of one's discovery of an event - either seen, remembered or imagined. A 'finished' work is an attempt to construct an event in itself.
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The Cro-Magnons lived with fear and amazement in a culture of Arrival, facing many mysteries. Their culture lasted for some 20,000 years.
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Degas was obsessed by the art of classical ballet, because to him it said something about the human condition. He was not a balletomane looking for an alternative world to escape into. Dance offered him a display in which he could find, after much searching, certain human secrets.
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I actually think of myself as quite a shy person, although I know I give the impression of someone much more confident. I think what I do have is a capacity to listen to the other, even if the other is an opponent. That leads, in all senses of the word, to an engagement.
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A boycott is directed against a policy and the institutions which support that policy either actively or tacitly. Its aim is not to reject, but to bring about change.
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One can say of language that it is potentially the only human home, the only dwelling place that cannot be hostile to man.
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Autobiography begins with a sense of being alone. It is an orphan form.