John Carney Quotes
I kept thinking, 'How do you make a modern musical?' Then it became clear that I could do it just like a small indie art-house movie, very naturalistically. I could create a world where it's o.k. to break into song, without an orchestra coming up out of nowhere.
Quotes to Explore
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You don't have to be an heiress to look like one, if you act like one then everyone will just presume you are one.
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The sole ultimate factor in human decisions is physical force. This we must learn, however repugnant the idea may seem, if we are to protect ourselves and our institutions. Reliance on anything else is fallacious and ruinous.
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Listen to the Bee Gees and you can learn to be a great writer.
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There is one thing women can never take away from men. We die sooner.
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Leaders should always expect the very best of those around them. They know that people can change and grow.
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Sandy Koufax went to the same school as me. I graduated two years ahead of Sandy.
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I don't know how to make Harper and Alloy want me, not just my name.
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An influential member of parliament has not only to pay much money to become such, and to give time and labour, he has also to sacrifice his mind too - at least all the characteristics part of it that which is original and most his own.
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It's very hard to put forth a film that's about love and the joy of love and for it not to be patronising and not make people nauseous or make them roll their eyes.
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No, it's a Bb. It looks wrong and it sounds wrong, but it's right.
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As President, I will end once and for all the use of taxpayer funds to promote the National Endowment for the Arts and other programs that subsidize amoral and degrading activities.
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I would sooner read a time-table or a catalogue than nothing at all. They are much more entertaining than half the novels that are written.
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When we set out our original program from the beginning, obviously our markets were pretty limited, and we were thinking about them mostly as U.S. shows, and they would travel like other U.S. shows have.
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I oscillate between being cynical and being naive on a regular basis. I always think that not much shocks me until something much too obvious does.
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For Bitcoin, if it becomes a thing, it will become an enormous thing. It will be world-changing. But if it's nothing, it's nothing. There is no in between.
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I don't write shows with dialogue where actors have to memorize dialogue. I write the scenes where we know everything that's going to happen. There's an outline of about seven or eight pages, and then we improvise it.
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I like naturally occurring film grain, and what happens to film when it's under- and over-exposed.
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Watergate just happened to come along at the same time as the demand for honesty in relations between the sexes, in advertising, in ecology, in almost everything. It just stumbled into that great big elephant trap that had already been built for it.
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I love watching live shows from different artists from different stages of their lives. I'm always interested in the mastery of the live performance.
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The two things that hit you when you meet someone are, first, how they're visually put together and then, what they tell you with the tone of their voice - whether or not they're to be taken seriously.
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I'm such a diva on set.
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I'm a real bore.
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I kept thinking, 'How do you make a modern musical?' Then it became clear that I could do it just like a small indie art-house movie, very naturalistically. I could create a world where it's o.k. to break into song, without an orchestra coming up out of nowhere.
