John Cena Quotes
The days I see a Make-A-Wish kid are the best days of the week. It's a real privilege. I give them exactly what they give me - hope.
Quotes to Explore
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'Skins' is about a group of teenagers in Bristol, and it's all about what they get up to and all the different things they do. I think it's a good show because it's come from a very real place, and there's a lot of young people involved in the writing.
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I hope I don't just sit around moping for two years.
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If you love things or ideas or people that contradict each other, you have to be prepared to fight for every square inch of intellectual real estate you occupy.
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I've lived in LA for so long, I don't even know what is real and what isn't any more.
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There is a healthful hardiness about real dignity that never dreads contact and communion with others however humble.
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I grew up with Apocalypse Now and Badlands, so I had a real awe thing going.
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When you do scenes that are just exposition, they feel false.
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Be prepared, work hard, and hope for a little luck. Recognize that the harder you work and the better prepared you are, the more luck you might have.
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What works for me is knowing the character in an emotional sense. I wish I was more logical but it doesn't work for me like that. I need quite a lot of time; it's why I always worry when I'm doing more than one thing at a time. I hope that some sort of magic will kick in.
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When you're dealing with a new platform, the real trick is just getting the game running.
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Eliza Factor's first novel, 'The Mercury Fountain,' explores what happens when a life driven by ideology confronts implacable truths of science and human nature. It also shows how leaders can inflict damage by neglecting the real needs of real people.
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Our enemies can deal a blow to us any time they wish. They did not wait for permission to do this. They do not deal a blow with prior notice. They do not take action because they can't.
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When you're guest-starring, it's very nice, but you're there very briefly, and it's right there in the name: You're a guest. It's very hard to get a real sense of belonging. With recurring and regular roles, at least you have a sense that this is a home and a steady place.
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The excitement of the fans in Montreal, especially in the playoffs, I don't think you can get that anywhere else. For a hockey player, I kind of wish everyone could go through that and experience what it is to play there. It's very unique.
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We saw very little of the real Jack Buck behind the microphone. He would touch people in ways that we will never know. Jack was much more than just an announcer.
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Guys try to take you out of the game if they know they can. So especially if you've got a playmaker, guys on the defense would do that.
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We know that the elements in play in a show like 'Confederate' are much more raw, much more real, and people come into them much more sensitive and more invested, than they do with a story about a place called 'Westeros,' which none of them had ever heard of before they read the books or watched the show.
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I was very lucky. Things happened, both bad and good, but I never got into real, deep trouble. But it wore me down. By the time I was 18, I was done. I didn't want to live the life any more. I needed to develop past the point that busking takes you to.
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There's no story that breaks, including a five-alarm fire in Brooklyn, that I don't wish I were covering.
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We cannot calculate the numbers of people who left, fled or were fished out of Europe just ahead of the Holocaust.
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The absurd is the essential concept and the first truth.
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The sweetest of all sounds is praise.
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The days I see a Make-A-Wish kid are the best days of the week. It's a real privilege. I give them exactly what they give me - hope.
