Damian Loeb Quotes
Our memories are convenient lies we create, cribbing images from others' experiences. We discard the personal specifics which don't conform to the ideal conventional beauty created by art directors and cinematographers.
Quotes to Explore
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One can never know enough. The unknown and its call lies even in what we know.
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When we have a good balance between thinking and feeling... our actions and lives are always the richer for it.
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Elvis was a big influence to my music, but Loretta Lynn was, as well.
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The first time I thought I should be an actor was in school. I thought, 'At least this is something for which I won't have to study.' But I've realised that an actor needs to be constantly unsure about what he's doing and about what's going on around him. The moment you think you've nailed it, you're dead.
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I really appreciate people like Rosie coming out and saying I've inspired them.
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Why pay a fee for Internet content when a million free sites are just a click away? There's no incentive until people are too addicted to the Net to turn off their computers, yet are bored with what's available.
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A lot of people go in and have to create their own characters, and they do fine with it.
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I find the whole situation of confronting an audience terrifying.
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We must always remember that the Chinese revolution was not a peasant's revolution, but one of the extreme Right.
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It has an air about it of having strolled in from the street with a few tricks up its sleeve, and if everybody would relax, please, it would do its best to pass the time whimsically.
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When you hear people making hateful comments, stand up to them. Point out what a waste it is to hate, and you could open their eyes.
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One must act in painting as in life, directly.
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War will never cease until babies begin to come into the world with larger cerebrums and smaller adrenal glands.
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You can't stay in your corner of the forest waiting for others to come to you. You have to go to them sometimes.
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I didn't want to write a biographie romancee especially since I already write novels, nor did I want to challenge the rules of the biography game, arbitrary as those rules might be.
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Being a woman in music was fine, but when I wanted to direct, I was poking my head into a man's world.
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I don't understand why people really get upset about something that doesn't affect them at all.
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I will come up with a project that will wipe out poverty in the Philippines in two years. I want to remove the people from economic crisis by using the Marcos wealth. Long after I'm gone, people will remember me for building them homes and roads and hospitals and giving them food.
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Once you understand that someone has Tourette and that they can't help their tics, it takes away the distraction. And you can engage your compassion. You feel for them. You embrace them.
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Talk sense to a fool and he calls you foolish.
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What has started to interest me is how you use all the different disciplines and tools we have at our disposal, and that includes going into different art forms, like music and movement, because often they can tap into things that characters can't necessarily express through words. Audiences really enjoy that total experience.
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There's great cars, and then there's Aston Martins. Same thing for the 1959 Les Paul - it's an authentic piece of art that can never truly be replicated, and its mysteries are special.
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Time and persistence has shown me that I can succeed at sharing my art with others as a musician while running my own music business. And that kind of success is as good as I could have ever wished for.
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Our memories are convenient lies we create, cribbing images from others' experiences. We discard the personal specifics which don't conform to the ideal conventional beauty created by art directors and cinematographers.
