Damian Loeb Quotes
Our memories are convenient lies we create, cribbing images from others' experiences. We discard the personal specifics which don't conform to the ideal conventional beauty created by art directors and cinematographers.
Quotes to Explore
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One can never know enough. The unknown and its call lies even in what we know.
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When we have a good balance between thinking and feeling... our actions and lives are always the richer for it.
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Elvis was a big influence to my music, but Loretta Lynn was, as well.
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The first time I thought I should be an actor was in school. I thought, 'At least this is something for which I won't have to study.' But I've realised that an actor needs to be constantly unsure about what he's doing and about what's going on around him. The moment you think you've nailed it, you're dead.
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I don't have a telephone. If I had a lot of money, I wouldn't have one.
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I really appreciate people like Rosie coming out and saying I've inspired them.
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Why pay a fee for Internet content when a million free sites are just a click away? There's no incentive until people are too addicted to the Net to turn off their computers, yet are bored with what's available.
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A lot of people go in and have to create their own characters, and they do fine with it.
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I find the whole situation of confronting an audience terrifying.
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We must always remember that the Chinese revolution was not a peasant's revolution, but one of the extreme Right.
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It has an air about it of having strolled in from the street with a few tricks up its sleeve, and if everybody would relax, please, it would do its best to pass the time whimsically.
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When you hear people making hateful comments, stand up to them. Point out what a waste it is to hate, and you could open their eyes.
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One must act in painting as in life, directly.
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War will never cease until babies begin to come into the world with larger cerebrums and smaller adrenal glands.
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You can't stay in your corner of the forest waiting for others to come to you. You have to go to them sometimes.
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I didn't want to write a biographie romancee especially since I already write novels, nor did I want to challenge the rules of the biography game, arbitrary as those rules might be.
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Being a woman in music was fine, but when I wanted to direct, I was poking my head into a man's world.
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I don't understand why people really get upset about something that doesn't affect them at all.
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You can do things in every part of the world. You can do things in every discipline. You can do large things, you can do small things. But it takes a while to figure out what you actually want to do. And it changes. As you change your interests and desires in philanthropy change, I think you have to be open to that change.
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I want to bring Americans into some experiences they ordinarily would not consider. Experiences in Latin America, people in Latin America, I want to bring them closer to those people, and I know I have to work extra hard at my craft to reach across these increasing chasms, these gaps that exist between different kinds of Americans, and that's the work of the artist, is to create these works that sort of help us understand our time.
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The eternal feminine draws us on high.
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I love the sense of how time passes when I'm acting. When you're not aware of the clock ticking, that is always a good sign you're enjoying something.
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Our memories are convenient lies we create, cribbing images from others' experiences. We discard the personal specifics which don't conform to the ideal conventional beauty created by art directors and cinematographers.
