Gary Hume Quotes
Quotes to Explore
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I've done quite a few things based on real events or real people, and I think that's always really interesting that you can read about them or, if you're lucky, you can meet them.
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Well, when you get into the business, what you have to realize is that signing autographs and getting 'bothered' is just part of the deal. It's not a bother to me at all. That's part of being an actor and that's something you have to realize before you ever get into this business.
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I do movies that I would like to go and see. I think that's a good barometer of how I choose films. I like going to these movies. Our job is to make sure the audience gets their $16 worth. That's my job.
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Getting old is a fascination thing. The older you get, the older you want to get.
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I think I'm somebody who takes praise with a very big - probably too big - pinch of salt.
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Of course people think Washington is arrogant. It is.
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I was asking Charlie the most important questions, and you heard the answers.
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I think the mental victory is worth it as much as a gold medal.
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My schedule is too overwhelmingly full to think about the future.
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How can you not love a man banging on the drums? He knows how to keep a rhythm.
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Oprah is so bright, and her intelligence is so piercing that I don't think anyone who spends a few minutes with her isn't struck by that.
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Yes, I mean, I used to be into the big bulk thing, and that's why my legs look like those of a cyclist instead of a shooter's, but I think there is a point to where too much is not a good thing. I think I try to lower my center of gravity by doing a lot of legs.
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I always think the insecurity is going to go away, but it's always there. Only bad writers think they're good.
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Experience is what you get while looking for something else.
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Anytime you put a movie out it's subject to such scrutiny and such criticism.
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I like to think of myself as a storyteller.
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When there's an authentic mystery, as opposed to just a question being asked, that's what makes you lean forward.
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I think anything that is expressed directly and as honestly as possible will last.
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In short, Coltrane's tone is beautiful because it is functional. In other words, it is always involved in saying something. You can't separate the means that a man uses to say something from what he ultimately says. Technique is not separated from its content in a great artist.
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We tend to think of extremes of emotions as registering, for example, you have to cry or laugh or get angry. But for the most part, we find it difficult to read each other most of the time. If you walk through the street, most people are pretty difficult to read. But they're thinking inside.
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I don't read for plot, a story 'about' this or that. There must be some kind of philosophical depth rendered into the language, something happening.
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The metaphor of Exodus is one that has dogged the Jews from the outset. Their very success attracts resentment.
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I do think you get lonelier and lonelier being an artist as you get older.
