John F. Kerry Quotes
The most powerful Vietnam movie, to me, was 'The Deer Hunter,' which was more about what happened to the folks who went and about their relationships.
Quotes to Explore
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The cutting room is where you discover the optimal length of the movie.
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I firmly believe that the Constitution is the most powerful challenge to illiberal tendencies. If the Constitution is followed in letter and spirit and if the laws are made in the spirit in which Constitution was made, liberties can indeed be protected.
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Well what I will tell you is for this movie, I got into probably the best shape of my life.
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I would love to do a period movie. I've always wanted to wear the corset, you know. It's a girl thing!
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'The Pianist' is a movie I could watch over and over again.
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If I ever have children of my own, they will read 'Matilda.' They will watch the movie. And you can bet they will see 'Matilda: The Musical.'
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The demand in India is to have a hit, which becomes a promotion for the movie and makes people come to the theater. You have five songs and different promotions based on those. But when I do Western films, the need for originality is greater. Then I become very conscious about the writing.
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'Tryin' to Get the Feeling' has been a revelation. I'd forgotten how powerful that was. I'd forgotten how deep I can crawl into that one, and maybe because I'm older it means even more.
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Some of the biggest movie stars in the world are essentially characters.
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It's amazing to think how powerful of a force optimism and hope can be. It's the thing that saves me. I believed that I lived in the greatest country in the world. I still believe that, and consequently, I believed that I had a chance, even though things around me were absolutely crazy and difficult.
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The journey of your first movie is not just beyond belief it can be truly beyond satire.
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I have never been to a museum in Hong Kong, or a movie or a play. I've never gone club-hopping. I've never taken the tram to Victoria Peak.
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'Sucker Punch' is a big girl power movie.
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There's an audience out there for all these different types of things. Whether it's comedy, motion-picture drama, family movie or a cool, cutting-edge indie, it's nice to know that I can span all those different genres.
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The roar of the crowd when you come out for a final is like nothing else: when 15,000 people are cheering you, a lot of adrenaline goes right through you.
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When I stepped out into the bright sunlight from the darkness of the movie house, I had only two things on my mind: Paul Newman and a ride home.
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When your in the movie business you have a start date and a stop date.
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I am going to produce a movie of my own. I am not going to stick to the time-tested formulae of Hindi cinema. I want to make a film for the present generation. So there will be a lot of new faces in the film.
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How much more must this be so in my own case for I am conscious not only of the great names and achievements of those who have preceded me, but also of the living presence of many of my masters and teachers.
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I'm not any happier anywhere than when I'm in the studio. I'm over the moon about it. It keeps me young, it keeps me feeling like I have some purpose.
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Sound comes out of a life experience.
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Everybody knows, when you have a band, there's always going to be a hierarchy, and there's always going to be some issue where ego gets involved and causes some kind of shake-up.
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If you play Mark Twain and he's not funny, you are definitely not playing Mark Twain. That was the biggest challenge, in some ways. Writing and performing jokes that can come out of that brilliant delivery system he constructed: the friendly, avuncular truth-teller.
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The most powerful Vietnam movie, to me, was 'The Deer Hunter,' which was more about what happened to the folks who went and about their relationships.
