John Galliano Quotes
Quotes to Explore
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I style my roles mostly with some help from my team of stylists.
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All I can do is make good music and make it for the fans, not for anybody else.
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Don't manage - lead change before you have to.
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What keeps me up at night is poverty and unemployment.
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I was quite thin, and I didn't have to worry until I had my appendix out and a mysterious metabolic change occurred.
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The Islamist ideology took decades to incubate within our communities, and it will take decades to debunk.
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Don't sell credits; don't sell walk-on roles... If people want to back you, they'll back you. But if you have to entice people will walk-on roles and crazy credits, you're undermining yourself.
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In managers, I look for people who can get things done through other people. The most important thing for a good manager is that the people on his team feel like he or she has integrity.
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I do feel like there's a level of ridiculousness going on in electronic music... It's getting borderline absurd out there.
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My role models were always the Pacinos and the Oldmans, the guys who get dirty with their characters, and I arrived in L.A. during the big boom of 'Dawson's Creek.' I was getting cast as the boy next door, or the friend of the jock. I thought, 'Did I really have to do all that studying?'
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To have success in your professional life is not so hard. To succeed as a man is more difficult.
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In 2003, as a 21-year-old convert to Islam, I moved from Colorado to Cairo to see what life was like in a Muslim country.
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The dove act? I'm still working on it. I don't think it's perfect yet. I got my first pair of doves when I was 14 years old. That was the beginning of the formation of that act. So it's been 24 years now that I've been working on it.
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I will announce some of the tombs I found next to the great pyramid of Khufu. One is an intact tomb that I have not opened yet.
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I used to have a very unmediated experience of food but, because of the recipe testing, I've lost that now. I can't switch it off even when I'm on holiday.
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I used to be so scared about, 'Oh, I don't want to show my body.' Now that I've shown it, it doesn't bug me about my moles, or 'This isn't big enough' and 'That's not smooth enough.'
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There's this label called Neurotica by these sweet girls that have given me some lovely things to wear, and we might collaborate on making a little piece. They're really lovely, and I think they've been quite inspired by me in turn.
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I think when you're doing good work, you don't necessarily need to be validated.
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It becomes very tempting to ask whether, in principle, it's possible to create a universe in the laboratory-or a universe in your backyard-by man-made processes.
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The riskiest thing I have done in my fifties is to do a Polish accent for a new film. I had a great time working on it and two wonderful people to guide me. A dialect coach that I have known for thirty years and a Polish actor.
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I've always been a really open person around my friends.
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I grew up backstage and on movie sets, and I thought they were the most magical places on Earth.
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I made advances towards multiple women in work-related situations, where it was clearly inappropriate. I put people in compromising and inappropriate situations, and I selfishly took advantage of those situations where I should have known better. My behavior was inexcusable and wrong.
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Women are women, and hurray for that.
