Meg Rosoff Quotes
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I always think plot is what you fall back on if you can't write, to keep things going.
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I've spent most of my life trying to wear a persona that didn't quite fit and when I started writing books, it was like finally becoming the right person.
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There's an overwhelming sense of paranoia in the suburbs. People there seem so much more paranoid to me than people in the city about their kids being kidnapped or their parties being raided or their drinks being spiked. There's a kind of hysteria about that.
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The average attention span of the modern human being is about half as long as whatever you're trying to tell them.
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I'm constantly snatching my books out of the hands of precocious ten-year-olds who are simply too young to read them, despite parents insisting that dear Octavia has a reading age of 28. I remember trying to read 'In Cold Blood' at the age of twelve, and realising that just because you can read book doesn't mean you should.
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People talk about writing convincing teenagers like it's a really clever thing to do, but it comes incredibly naturally to me. Which, of course, is slightly a worry.
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My husband is my most valuable resource.
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Self-knowledge is essential not only to writing, but to doing almost anything really well. It allows you to work through from a deep place - from the deep, dark corners of your subconscious mind.
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It's hard recommending books for kids, and a huge responsibility. If you get it wrong, they don't tell you they hate that particular book, they tell you they hate reading.
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Teenagers are very dark, I think. That's all the goth and emo stuff. They're experiencing a lot of stuff that adults experience, but in a much more raw way. It's that extremity that I'm interested in, to be able to go down so far and come up so quickly.
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Every day a piano doesn't fall on my head is good luck.
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Nowadays, I only review books I really like. It's cowardly, I know, but I figure it's not my job to make people unhappy. I'll leave that to the professionals.
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As a person with the retentive mental capacity of a goldfish and a dislike of repetition, I frequently make use of the thesaurus built into my Microsoft Word U.K. Software.
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I'd like to think life has improved since 1850, despite the long hours we all seem to spend slaving over hot computers, but the psychological journeys remain the same - the search for love, identity, a meaningful place in the world.
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Like many other people of my generation, I don't think I ever really bothered to grow up. I wasn't ever really a proper teenager until I was about 19, and maybe I got a bit stuck there, because it seemed to go on and on.
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I'm not sure I can write about America for the same reason I'm not sure I can write about adults - I have no critical distance on either place.
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Life is absolutely horrific, leading up to absolute horror.
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In the odd moment when I am not thinking about horses, I write books.
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I know from experience that careers do not always arise from a deep sense of destiny.
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The thing about adolescence is that you are emerging from a state of obscurity. You are coming out into the world from your family. Your family can seem normal because it is your family and all you know, but in fact it is a mess.
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I think most people struggle over a matter of years to find a satisfying way to live.
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I have never written out of a desire to be controversial.
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I can actually trace the moment I decided I couldn't be a doctor. It was in biology, they brought in these African crickets and we were supposed to dissect them - but there's no way I was touching those bugs.
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Your writing voice is the deepest possible reflection of who you are. The job of your voice is not to seduce or flatter or make well-shaped sentences. In your voice, your readers should be able to hear the contents of your mind, your heart, your soul.