Megan Abbott Quotes
I wrote my graduate thesis at New York University on hard-boiled fiction from the 1930s and 1940s, so, for about two years, I read nothing but Raymond Chandler, Dashiell Hammett, James Cain and Chester Himes. I developed such a love for this kind of writing.

Quotes to Explore
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When I was around eight, I learned how to touch-type at school, and I received a computer as a present. I started writing plays, and for many years I thought I would be a playwright.
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Writing 'William Shakespeare's Star Wars' was a fun exercise in mixing just the right amount of the Bard with just the right amount of everyone's favorite galaxy far, far away.
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I've always written songs that were confessional, acoustic, wordy - my writing style matches my personality. The music always has to match the mouth it comes out of.
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I love writing journalism because it's all over in two hours and comes straight off the top of the head. Writing novels is soooooo much harder. It's the hardest thing I've ever done.
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I read my books to writing workshops and friends, and I'm often focussed just on keeping them entertained. I never think about marketing at all.
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Writing is an exploration. You start from nothing and learn as you go.
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I like the performing. And interviews, even. And the stuff that's not sitting in a room by yourself with empty paper. But I never loved writing, to tell you the truth.
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We're more interested in someone writing a really great answer that's going to be read by thousands or tens of thousands of people over the next few years as it stays on Quora and as it gets distributed on the Internet.
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I think you have to learn for yourself how to write. I'm slightly mystified by creative writing courses - God love them - because I can't understand how you can explain a process that I find so baffling.
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Try imagining James Joyce not writing about being a Catholic.
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Songwriter friends will be like, 'Oh my God, when are you going to put out 'Love Triangle?'' It's just been that song for me that really helped me get a lot of writing sessions and helped jump-start my writing career.
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When you start writing about the stuff that is the central experience of your own life, you can talk about whatever you want, in whatever way you want.
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Sometimes writing a novel is not unlike having a baby. You'd have to ask a female novelist to compare the pain.
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I'm a professional songwriter - personal attitudes have nothing to do with writing a song.
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My highest point was the first thing I won, a short story competition in a women's magazine in the Eighties. It was the first time I'd had my writing validated, and the first thing I'd ever shown anyone else.
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I've been writing about my boyhood, when I was a little kid back on my grandfather's farm where we didn't know about black widow spiders or all that stuff. But writing about that is so easy.
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There are no rules to writing a song.
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I was always more interested in my books and my writing than going out. It's OK to say I'm a nerd. That's me.
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The problem with writing about religion is that you run the risk of offending sincerely religious people, and then they come after you with machetes.
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You can never forget the time you're living in because the past is the past and it will never come back. So to adjust your philosophy and creativity in fashion to the time you're living in is the most important thing.
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It is not necessary to maintain a conversation when we are in the presence of God. We can come into His presence and rest our weary souls in quiet contemplation of Him. Our groanings, which cannot be uttered, rise to Him and tell Him better than words how dependent we are upon Him.
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I was like, man, I love this. This is what I want to do for the rest of my life.
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I wrote my graduate thesis at New York University on hard-boiled fiction from the 1930s and 1940s, so, for about two years, I read nothing but Raymond Chandler, Dashiell Hammett, James Cain and Chester Himes. I developed such a love for this kind of writing.