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I suppose I have a concern for this extraordinary, beautiful, amazing, exciting, taxonomically brilliant world that we live in, but we keep fucking it up all the time.
Peter Greenaway -
Four soiled bedsheets sewn together to make a screen. One for spittle. One for urine. One for semen. One for blood. All for tears.
Peter Greenaway
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Cinema ceases to be passive and becomes active: you, the audience, are now, in some senses, in charge of the filmmaking process. You have all got mobile phones, you have all got cam recorders, and you've all got laptops, so you're all filmmakers.
Peter Greenaway -
Later this device of mirror and mirror-carriers will be developed and many changes rung from its possibilities.
Peter Greenaway -
I believe there's no such thing as history; there's only historians, and in English, we've got this word 'his'tory, but what about her story? So that, in the end, the history of the world would be a history of every single one of its members, but of course, you could never get to grips with that.
Peter Greenaway -
A woman materialises behind Prospero - leaning lightly on the back of his chair - she is alternately a Titianesque nude and then the Vesalius figure - flayed … she leans lightly over and kisses Prospero on the cheek. The kiss leaves a blood-red mark on his withered cheek. Prospero shivers.
Peter Greenaway -
Where is a book before it is born? Does a book grow like a tree? Who are a book's parents? Does a book need two parents - a mother and a father? Can a book be born inside another book? And where is the parent book of books?
Peter Greenaway -
Jean Renoir once suggested that most true creators have only one idea and spend their lives reworking it, but then very rapidly he added that most people don't have any ideas at all, so one idea is pretty amazing.
Peter Greenaway
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The start of a film is like a gateway, a formal entrance-point. The first three minutes of a film make great demands on an audience's patience and credulity. A great deal has to be learnt very rapidly about place and attitude, character and intent and ambition.
Peter Greenaway -
The letters Z, O and O dominate the front entrance gates of a capital city zoo. They are made of glass and they tower up two giraffes high. They are the width of one elephant and the colour of bottled blue ink.
Peter Greenaway -
It could be said now that all animals live in zoos, whether it is a zoo in Regent's Park, London or a Nigerian Game Reserve. Perhaps what's left to argue is only the zoo's quality.
Peter Greenaway -
All this takes many clumsy and inexact word-descriptions to describe, but if we read paintings like we read books, it would not be such a hidden language for painting can effortlessly produce such elegant solutions.
Peter Greenaway -
Jerome was dyslexic until he was twelve, before it became fashionable. And he broke every pair of glasses I bought him. He hated wearing glasses. He was good at breaking things. Especially relationships. Just like his father.
Peter Greenaway -
I married. I became a wife. I acquired a husband. I had a ceremonial wedding in style. Whichever way you say it - it was bound to end badly.
Peter Greenaway
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We have to change the educational curricula and put a lot more emphasis on how important seeing and looking is.
Peter Greenaway -
'I once saw a film where the main character didn't speak for the first half hour.'
Peter Greenaway -
Sappho was a worshipper of the Aphrodite cult and on the island of Lesbos there were many cliff-jumpers. They all jumped. Some may say they flew in ecstasy. If only for nine seconds - one second for each string of the lyre.
Peter Greenaway -
The major sweep of this book's living is too often marred by qualifying. It is hedged about with ifs and buts and if onlys and howevers, excuses for a life that is about to shut its covers for the last time and then crumple into dust in an unseen and never-to-be-remembered library.
Peter Greenaway -
'How safe are we here?'
Peter Greenaway -
Secret: A private matter whispered abroad and never kept to oneself. By naming it a secret, we immediately indicate its presence. If we really wanted to keep secrets, we would not have a name for them.
Peter Greenaway
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Human relationships are patterned and cross-patterned and restricted and limited and de-limited and caged and freed again by the elaborate conventions, rules, and games we call Civilisation … the rules and the games are often absurd and farcical - sometimes they are tragic - yet we tacitly acknowledge that they are necessary.
Peter Greenaway -
If you knew when you were going to die, wouldn't you make your life more worthwhile?
Peter Greenaway -
Esmerelda, the grieving widow, continues to burn and scream. In our minds we rush to save her from the consuming flames. But cannot.
Peter Greenaway -
Dawns and sunsets. The Magic Hour - when the sun and the moon can be in the sky at the same time - a magic and disturbing occurrence for a child. And for an adult.
Peter Greenaway