-
A thrown-stone trajectory is a good metaphor for so many phenomena: the curve of an event, any event; the curve of a life, any life; the curve of a hypothesis; the curve experienced in the manufacture of a work of art; the curve of interest experienced in the manufacture of a catalogue.
Peter Greenaway
-
Book #8: The Vesalius Anatomy of Birth. As it hits the water, it screams and spurts blood like a pierced heart - as it sinks, there is a suggestion of entrails.
Peter Greenaway
-
Investigation is never complete.
Peter Greenaway
-
I don't believe in the deplorable notion of realism in the cinema: you can over-reach it, and it becomes as false as convention.
Peter Greenaway
-
That comes from most people having an American film model in their heads which is nothing but a total illusionary masturbatory massage.
Peter Greenaway
-
Religion is there to say, 'Hey, you don't have to worry - there's an afterlife.'
Peter Greenaway
-
Roy, this is my wife, Georgina Spica - she has a heart of gold and a body to match... and I am Albert Spica and I have a heart of gold and a great deal of money to match.
Peter Greenaway
-
My personal obsessions are much more interesting to me than other people's.
Peter Greenaway
-
'A long white dress that starts under the breast and travels on interminably down - so their legs are entirely mysterious - they could have one leg or two inside that dress... A Jane Austen woman could be incredibly passionate inside that dress.'
Peter Greenaway
-
Most people are visually illiterate. Most people don't understand images: they don't understand how to interpret them or how to manufacture them.
Peter Greenaway
-
No Albert - it's not God - it's Michael. My lover. You vowed you would kill him - and you did. And you vowed you would eat him. Now eat him.
Peter Greenaway
-
Get the Titanic sailing correctly before you worry about the deck chairs.
Peter Greenaway
-
Jerome was dyslexic until he was twelve, before it became fashionable. And he broke every pair of glasses I bought him. He hated wearing glasses. He was good at breaking things. Especially relationships. Just like his father.
Peter Greenaway
-
As for the girl - the child of a prostitute - what of her future? A life of prostitution in a gaudy dress - pretending to be Nell Gwynne, the Protestant whore? No - out of her mother's earnings she will go to University and study to become an astronomer. Charles II made his mistress Nell Gwynne an honorary member of the Royal Astronomical Society in 1674.
Peter Greenaway
-
All my films are somewhat experimental, they are all, each one, taking a certain amount of risk, but there's always the basic assumption that we should be able to appreciate the cinema as much with the mind as we can through emotional empathy. Sometimes it works, sometimes it doesn't.
Peter Greenaway
-
All this narcissism is rather boring, isn't it?
Peter Greenaway
-
If you were not to be its victim, this book and body would amuse you with its arrogance. It would make you laugh. Because you were not its victim, you could feel no pain of betrayal.
Peter Greenaway
-
Whether you're Godard or Almodovar or Scorsese, it's text, text, text. Everything begins with the text, and this is a source of great anguish to me. So please let cinema get on with doing what it does best, which is expressing ideas in visual terms.
Peter Greenaway
-
Blood: A red substance believed to be capable of supporting life but which in a theatrical drama invariably indicates death.
Peter Greenaway
-
The Sistine Chapel is an extraordinary work of education - it lays out all the early books of the Bible.
Peter Greenaway
-
Galba... a miserable sort of man... bisexual... fancied mature slaves, especially if they had been a little mutilated... all his freed men had no fingers on the left hands... he's dead - died screaming... in a cellar.
Peter Greenaway
-
His writing - in so many languages - made me a sign-post pointing east, west, north and south. I had shoes in German, stockings in French, gloves in Hebrew, a hat with a veil in Italian. He only kept me naked where I was most accustomed to wearing clothes.
Peter Greenaway
-
It's a movie that bewilders some viewers and mesmerizes others. A man I met while we were exercising our dogs told me it was the greatest film he had ever seen, and one of my editors claims it's the closest any movie has ever come to photographing the inside of his mind.
Peter Greenaway
-
Imagine a world where nothing is stable. In the West, we have three moving elements - Air, Fire, Water - but at least we can depend on the fourth.
Peter Greenaway
