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Book #8: The Vesalius Anatomy of Birth. As it hits the water, it screams and spurts blood like a pierced heart - as it sinks, there is a suggestion of entrails.
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'I once saw a film where the main character didn't speak for the first half hour.'
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Religion is there to say, 'Hey, you don't have to worry - there's an afterlife.'
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Get the Titanic sailing correctly before you worry about the deck chairs.
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'A long white dress that starts under the breast and travels on interminably down - so their legs are entirely mysterious - they could have one leg or two inside that dress... A Jane Austen woman could be incredibly passionate inside that dress.'
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All this narcissism is rather boring, isn't it?
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Investigation is never complete.
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A thrown-stone trajectory is a good metaphor for so many phenomena: the curve of an event, any event; the curve of a life, any life; the curve of a hypothesis; the curve experienced in the manufacture of a work of art; the curve of interest experienced in the manufacture of a catalogue.
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Sappho was a worshipper of the Aphrodite cult and on the island of Lesbos there were many cliff-jumpers. They all jumped. Some may say they flew in ecstasy. If only for nine seconds - one second for each string of the lyre.
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It's a movie that bewilders some viewers and mesmerizes others. A man I met while we were exercising our dogs told me it was the greatest film he had ever seen, and one of my editors claims it's the closest any movie has ever come to photographing the inside of his mind.
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Whether you're Godard or Almodovar or Scorsese, it's text, text, text. Everything begins with the text, and this is a source of great anguish to me. So please let cinema get on with doing what it does best, which is expressing ideas in visual terms.
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Orchestra: Anagram of carthorse.
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If you were not to be its victim, this book and body would amuse you with its arrogance. It would make you laugh. Because you were not its victim, you could feel no pain of betrayal.
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Roy, this is my wife, Georgina Spica - she has a heart of gold and a body to match... and I am Albert Spica and I have a heart of gold and a great deal of money to match.
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His writing - in so many languages - made me a sign-post pointing east, west, north and south. I had shoes in German, stockings in French, gloves in Hebrew, a hat with a veil in Italian. He only kept me naked where I was most accustomed to wearing clothes.
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The Sistine Chapel is an extraordinary work of education - it lays out all the early books of the Bible.
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Jerome was dyslexic until he was twelve, before it became fashionable. And he broke every pair of glasses I bought him. He hated wearing glasses. He was good at breaking things. Especially relationships. Just like his father.
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Blood: A red substance believed to be capable of supporting life but which in a theatrical drama invariably indicates death.
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My personal obsessions are much more interesting to me than other people's.
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Galba... a miserable sort of man... bisexual... fancied mature slaves, especially if they had been a little mutilated... all his freed men had no fingers on the left hands... he's dead - died screaming... in a cellar.
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All my films are somewhat experimental, they are all, each one, taking a certain amount of risk, but there's always the basic assumption that we should be able to appreciate the cinema as much with the mind as we can through emotional empathy. Sometimes it works, sometimes it doesn't.
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The word for smoke should look like smoke - the word for rain should look like rain...
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Whispering can be a rest from a noisy world of words.
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Now, at this very minute, another thing is happening which we cannot hear because most paintings do not have a sound-track. Peter is inventing the word 'simony' to explain ecclesiastical purchase-power, for which, since his Church later exercised it so expertly, Simon Magus ought to be revered as a patron not a rogue.