Gene Luen Yang Quotes
Creativity requires input, and that's what research is. You're gathering material with which to build.
Quotes to Explore
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Both chronic, long-term poverty and downward mobility from the middle class are in the same category of things that America likes not to think about.
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And, sure, if you have a political point of view, you have every right to share it. But you have to be careful not to get too self-important. You have to find the balance between being entertaining and being preachy.
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My history teacher was utterly terrifying, but her lessons were very inspiring. She got me interested in people and stories, which then led me to acting.
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The ruling ideas of each age have ever been the ideas of its ruling class.
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The penalty may be removed, the crime is eternal.
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If science fiction is the mythology of modern technology, then its myth is tragic.
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Any idea, plan, or purpose may be placed in the mind through repetition of thought.
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I have five horses. My first was a professional jumper named Santos. I got him when I was 18.
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Tombs are the clothes of the dead and a grave is a plain suit; while an expensive monument is one with embroidery.
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I've been in the room or watched artists walk in who don't write, and you can't figure out what they really want.
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Most of the time I spend when I get up in the morning is trying to figure out what is going to happen.
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Well, I like chocolate stuff; I don't like any of that other gross sugary candy.
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It's like the brooding hen sitting over a china egg.
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Singing and dancing is not just for the cast of 'Glee'. We can wake up doing both and have it be a natural expression of who we are.
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I have a very musical family from my Scottish roots.
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I asked my mother could I have an instrument. She said, 'Well if you go out and save your money.' So I went and got - I made me a shine box. I went out and started shining shoes, and I'd bring whatever I made.
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I'm driven more by my heart more than anything else, and my head, and sometimes those things are counterintuitive.
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I find the aristocratic parts of London so unattractive and angular; the architecture is so white and gated. But in New York, it's different - even uptown it's really grand, and there's no real segregation there. It's all mixed up.
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I'm very happy to have been a one-club man, but I wouldn't shoot down guys who have gone off and played in multiple clubs either because, essentially, it is an earning that people are after.
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I always believed that my work should be unfinished in the sense that I encourage people to add their creativity to it, either conceptually or physically. Back in the 1960s, I was calling for 'Unfinished Music,' number one, and number two, with my artwork - I was taking unfinished work into the gallery. And that's how I was looking at it.
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What I love about London is the energy and the creativity. Culturally, it is such a happening city, from the cuisine to the fashion.
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My day goes from one embarrassing moment to the next.
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Creativity requires input, and that's what research is. You're gathering material with which to build.
