Gene Sarazen Quotes
Quotes to Explore
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Art is subjective. I'm not looking for people's praise.
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As many of you know I travel a good bit and do not get to see my friends and family as much as I would like.
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I have been in Sorrow's kitchen and licked out all the pots. Then I have stood on the peaky mountain wrapped in rainbows, with a harp and sword in my hands.
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It's different for every project. Some parts are quicker than others to get and know; sometimes right up until the last moment you're just praying that something will click. But you can only do a certain amount of work and then at some point you've got to think: 'OK, I'm just going to have to leap now.'
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The 'Outlander' fans are super-passionate.
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The pace of Swedish crime fiction is slower - Stieg Larsson's the exception. And I think we use the environment more.
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I work a lot with my ski sponsor, Head, to develop new technologies.
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I absolutely love working with David Boreanaz, and Charisma Carpenter I completely adore – she teaches me to dance.
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A woman can be very beautiful and an ideal model and she will photograph incredibly well, but she'll appear in film and it won't work. What works is some fusion of physical beauty with some mental field or whatever you call it. I don't know.
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Friendship multiplies the good of life and divides the evil.
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Beyond politics, the West is suffering from what can be called a crisis of brokenness - broken institutions, broken families and broken souls.
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I want to surprise people and do different things and maybe do something that's not quite financially rewarding.
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I don't believe in having safety nets - you'll end up using them!
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I don't write anything if I'm not agreeable and liking it. I'm not one of these slavers who wads up paper. It comes or it doesn't.
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I don't like it when people who are young act like they're 40. That's taking too much on. Putting up a shield and trying to act like you're so mature or whatever – I don't try to act mature. Some people might say I'm mature for my age, but it's not something I'm trying to do, you know? I'm just me.
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I'm kind of a grinder. I'm a Cinderella, an underdog story who fights.
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I grew up listening in awe to stories of their wartime adventures. My granny, Joan, was a journalist and wrote amazing letters to my grandpa when he was a prisoner of war, while my nana, Mary, was a Land Girl, then a Wren. They were so independent, resilient and glamorous.
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A moment guess'd - then back behind the Fold Immerst of Darkness round the Drama roll'd Which, for the Pastime of Eternity, He doth Himself contrive, enact, behold.
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God will lead you into a deliverance where the means that delivers you will be those who would destroy you.
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It's tricky, performing the show live. Because when you're in a big auditorium, in front of 700 people, the natural tendency is to want to talk louder. You want to project.
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I think that I am a walking testimony to you can have scars. You can go through turbulent times and still have victory in your life.
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I did 12 shows in 13 weeks at a summer theater in Maine where we were paid $35 a week. After taxes and $25 for room and board, I had enough money for a pack of cigarettes and a bowl of lobster bisque.
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I want the situations and plots to be surprising and unusual.
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I don't care what you say about me. Just spell the name right.
