Gene Wilder Quotes
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I live in a small town in Connecticut, and they don't write scripts there, but I get them anyway because my agent is in Los Angeles.
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I had a daughter and lost her a long while ago. That's too sad a story to go into.
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I never thought of it as God. I didn't know what to call it. I don't believe in devils, but demons I do because everyone at one time or another has some kind of a demon, even if you call it by another name, that drives them.
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I'm going to tell you what my religion is. Do unto others as you would have them do unto you. Period. Terminato. Finito.
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I write funny. If I can make my wife laugh, I know I'm on the right track.
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I don't like giving speeches. It makes me nervous.
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I'm not a natural writer like, let's say - I'm not talking about Arthur Miller; that's a whole other thing - but let's say Woody Allen. But the more I've written, the more I've found that there is a deep well in me somewhere that wants to express things that I'm not going to find unless I write them myself.
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When you fall in love, and you're very young, you think that that's the love of your life. And maybe it is, but it usually doesn't turn out that way.
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When your mother gives you confidence about anything that you do, you carry that confidence with you.
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And in 'Frisco Kid' and in 'The Woman in Red' I had to ride badly. Then you have to really ride well in order to ride badly.
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I don't want to do 'Hamlet.' I don't want to do Robert Redford roles or Mel Gibson roles or Kevin Costner roles, because I'm not going to be good at them.
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We all grew up on movies with scenes where the actor is lying, and you know he's lying, but he wants to make sure you know it's a lie, and so he overacts and all but winks at you, and everybody in the world except for the girl he's talking to knows he's lying.
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I wanted to do - there was this film called 'Magic' that Anthony Hopkins did. And the director wanted me. The writer wanted me. Joe Levine said no, I don't want any comedians in this.
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Sidney Poitier was directing a film called 'Hanky Panky.' And he said, 'Do you want to come with me to New York to see Gilda Radner in 'Lunch Hour' on Broadway? I said, 'I don't need to see her, I love her. I've wanted to write something for her for a long time. So it's OK by me.'
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I'm not so funny. Gilda was funny. I'm funny on camera sometimes. In life, once in a while. Once in a while. But she was funny. She spent more time worrying about being liked than anything else.
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I love acting, especially if it's a fantasy of some kind, where it's not just realistic, it's not naturalism.
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When I was in desperate trouble for maybe eight or nine years, I went to a neuropsychiatrist.
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I love the art of acting, and I love film, because you always have another chance if you want it. You know, if we - if this isn't going well, you can't say - well, you could say - let's stop. Let's start over again, Gene, because you were too nervous.
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What do actors really want? To be great actors? Yes, but you can't buy talent, so it's best to leave the word 'great' out of it. I think to be believed, onstage or onscreen, is the one hope that all actors share.
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Lots of things are hard work, but I think writing, for me, after I started acting at 13 years old. I like writing now much more than I do acting only because, well, partly because the scripts that are offered are junk.
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My wife and I water color, paint water colors.
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So my idea of neurotic is spending too much time trying to correct a wrong. When I feel that I'm doing that, then I snap out of it.
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My basic mistake in 'The World's Greatest Lover' was that I made the leading character a neurotic kook and sent him to Hollywood. I should have made him a perfectly normal, sane, ordinary person, and sent him to Hollywood. The audience identifies with the lead character.
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I don't mean to sound - I don't want it to come out funny, but I don't like show business. I love - I love acting in films. I love it.