John Hurt Quotes
I've worked with people from Fred Zinnemann, John Huston, through to Richard Fleischer, all of those boys from Hollywood and so on, and Sam Peckinpah and then the Mike Radfords.
Quotes to Explore
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I've always loved working out. When I was little, my dad used to make me and my sister do 10 press-ups every day before we brushed our teeth in the morning. It was like a boot camp! Then I did a lot of athletics at school and was a dancer.
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I'm not a power person. I like everyone to be on an equal footing.
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In theory, there is no difference between theory and practice. But, in practice, there is.
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Pat Riley, Dave Checketts and Ernie Grunfeld - they brought the Knicks back to the glory days. It started with Rick Pitino. We took our first step with him, making the playoffs. When Pat came in we just kicked the door open.
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Most kids at 10 or 11 love science, but I never outgrew it.
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To make the child in your own image is a capital crime, for your image is not worth repeating. The child knows this and you know it. Consequently you hate each other.
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I know my fans want me on the screen. But I think hero-worship should not be allowed to corrupt the plot and narrative of a film.
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At the end of the day, you can't have a vision; you have to have a hope. This is where the miracle comes in.
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It's really a misconception to identify the writer with the main character, given that the author creates all the characters in the book. In certain ways, I'm every character.
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As long as the number one worry for people, keeping them up at nights, is whether they're going to have a job in the morning, then they are less likely to resist unfair changes, or unfair treatment, or cuts in real pay at work.
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I don't ever want to be a person that I'm not. A lot of girls fall into the trap where they are trying to impress other people, and that's the time when they lose themselves.
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There's a classic element that all good Disney movies have. It really comes down to the storytelling, I think. It manages to push all of these buttons inside of us; there's a sentimentality.
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Sunseeker is well placed to take full advantage of opportunities in China, one of the world's fastest growing luxury yacht markets.
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Why are we, as a nation so obsessed with foreign things? Is it a legacy of our colonial years? We want foreign television sets. We want foreign shirts. We want foreign technology. Why this obsession with everything imported?
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Genius is a promontory jutting out into the infinite.
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'Sairat' is a film I absolutely loved. I have great regard for the movie and its film-maker. The movie blew my mind.
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Having been subjected to the pigeonholing of Hollywood myself, I realized that once you become a studio-approved director, your chances of ever making your own film again are zero. You make the films that the studio wants you to make.
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It isn't glamorous until after the film is finished, and you are at the premiere and getting your picture on the cover of magazines.
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If you're a film studio, you're making a movie for a foreign market. You're pursuing ideas that travel well. It changes the movies we see and how movies are made.
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As an actor there's a lot of scrutiny and, even when you've had success, it becomes about sustaining that success. A friend of mine described it as a peakless mountain. Even for De Niro there's Pacino and for Pacino there's De Niro.
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I identified with both women. But Emma had a stronger message for the women I want to speak to now- women who work. I wanted to tell them that choosing to work doesn't make them oddballs and isn't antisocial.
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A lot of people get really seduced by demos of the next display technology. I myself fell under that spell for about 20 years.
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The ability to portray people in still life and in motion requires the highest measure of intuition and talent.
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I've worked with people from Fred Zinnemann, John Huston, through to Richard Fleischer, all of those boys from Hollywood and so on, and Sam Peckinpah and then the Mike Radfords.
