John Irving Quotes
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As many times as I've seen 'The Merchant of Venice,' I always take Shylock's side. For all the hatred that guy is shown, he has a reason to hate in return. He's treated cruelly. And it's tragic that he learns to be intolerant because of what others do to him.
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I suppose I try to look for those things where the world turns on you. It's every automobile accident, every accident at a party, you're having a good time until suddenly you're not.
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Half my life is an act of revision.
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I have a very poor record at multiple choice questions.
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I write the last line, and then I write the line before that. I find myself writing backwards for a while, until I have a solid sense of how that ending sounds and feels. You have to know what your voice sounds like at the end of the story, because it tells you how to sound when you begin.
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I believe in plot, in development of character, in the effect of the passage of time, in a good story - better than something you might find in the newspaper. And I believe a novel should be as complicated and involved as you're capable of making it.
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'Great Expectations' was an important novel in my adolescence. It was very much one of those emblematic novels that made me wish I could write like that. It helped that my models as a writer were dead over a hundred years before I began to write.
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So, I don't work in terms of real time. I don't work in a timely fashion.
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Life forces enough final decisions on us. We should have the sense to avoid as many of the unnecessary ones as we can.
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I take people very seriously. People are all I take seriously, in fact. Therefore, I have nothing but sympathy for how people behave - and nothing but laughter to console them with.
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The building of the architecture of a novel - the craft of it - is something I never tire of.
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I think better of our behaviour as individuals than I do when we see ourselves as members of a group. It's when people start forming groups that we have to watch our backs.
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I sometimes think that what I do as a writer is make a kind of colouring book, where all the lines are there, and then you put in the colour.
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I don't think I've had a very interesting life, and I feel that is a great liberation. That gives me great freedom as a fiction writer. Nothing that happened holds any special tyranny over me.
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I wasn't afraid of anything until I had a kid. Then I was terrified because immediately I could imagine a hundred ways in which I could not protect him.
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When I feel like being a director, I write a novel.
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I believe you have constructive accidents en route through a novel only because you have mapped a clear way. If you have confidence that you have a clear direction to take, you always have confidence to explore other ways; if they prove to be mere digressions, you'll recognize that and make the necessary revisions.
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With every book, you go back to school. You become a student. You become an investigative reporter. You spend a little time learning what it's like to live in someone else's shoes.
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When I love a novel I've read, I want to reread it - in part, to see how it was constructed.
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Anybody can do research. The plotting of the novel, writing the ending before you write anything else, which I always do - I don't know that everybody can do that. That's the hard part.
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Imagination, he realized, came harder than memory.
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I grew up without a father, who was kept a mystery to me. There was a sense of uprootedness, things being one day here and the next day not; a sense anything could happen. Then, all of a sudden, my mother met my stepfather, and her life became happier, and my life changed, my name changed.
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He wrote Helen that 'a part of adolescence is feeling that there's no one else around you who's enough like yourself to understand you.'
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But we are not known for our ability to follow through on our unearned discoveries. We are top-of-the-water adventurers, who limit our opinions of the icebergs to what we can see.