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One of the humbling things about having written more than one novel is the sense that every time you begin, that new empty page does not know who you are.
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'The Fourth Hand' was a novel that came from twenty years of screenwriting concurrently with whatever novel I'm writing.
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I believe that, in any novel of mine, the principal objective is the construction of the whole.
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You've got to get obsessed and stay obsessed.
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I lived five years in the Midwest, and I loved it. The people were so nice. The people were so open.
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On his process for writing novels: I can't imagine what the first sentence is, I can't imagine where I want the reader to enter the story, if I don't know where the reader is going to leave the story. So once I know what the last thing the reader hears is, I can work my way backward, like following a roadmap in reverse.
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Sometimes that's a year, sometimes it's 18 months, where all I'm doing is taking notes. I'm reconstructing the story from the back to the front so that I know where the front is.
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My old coach used to say that if you were in it for the match, if you were in it for the trophies, you were in it for the wrong reasons.
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Of all the things you choose in life, you don't get to choose what your nightmares are. You don't pick them; they pick you.
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I don't begin a novel or a screenplay until I know the ending. And I don't mean only that I have to know what happens. I mean that I have to hear the actual sentences. I have to know what atmosphere the words convey.
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I have pretty thick skin, and I think if you're going to be in this business, if you're going to be an actor or a writer, you better have a thick skin.
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I don't really set out to explore grand themes. I set out to tell a story. And one I have to be able to imagine right through.
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I think there is often a 'what if' proposition that gets me thinking about all my novels.
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No adult in my family would ever tell me anything about who my father was. I knew from an older cousin - only four years older than I am - everything, or what little I could discover about him.
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In the world according to Garp, we are all terminal cases.
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A reader told me recently, in London, said that 'well, I read that you write the last sentence first, so I always read your last sentence first.' And I said, 'oh, no, you're not supposed to do that.'
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Your memory is a monster; you forget - it doesn't. It simply files things away. It keeps things for you, or hides things from you - and summons them to your recall with a will of its own. You think you have a memory; but it has you!
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I'm not writing non-fiction. I don't feel anything about me as a kid was unique. Except that I had more interest in being alone and using my imagination.