John Lahr Quotes
Quotes to Explore
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Terrorism will spill over if you don't speak up.
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For me, seeing the target and not seeing the target doesn't make any difference.
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It is with obedience to your call that I take up the burden of government leadership for the final time.
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No one could ad lib like Peter. You would think that it was all scripted, he was so poetic, but it wasn't.
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Through our great good fortune, in our youth our hearts were touched with fire. It was given to us to learn at the outset that life is a profound and passionate thing.
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You can't bank on the outcome.
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I have pictures of me sitting in the racquetball court in my pajamas with an acoustic guitar, and Wolfgang is probably just two-and-a-half-feet tall. I'll never forget the day I saw his foot tapping along in beat! I knew then, I couldn't wait for the day I'd be able to make music with my son. I don't know what more I could ask for.
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Since I played a warrior in 'Magadheera,' my character sported shoulder-length hair and a thick beard.
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Quiet is the new loud.
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Some of my academic friends think I've fallen from a very special grace.
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Nothing sickens me more than the closed door of a library.
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Sometimes, poor people don't smell too good, so love can have no nose.
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I like chords that are very lush with all the lush parts taken out.
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Love is a portion of the soul itself, and it is of the same nature as the celestial breathing of the atmosphere of paradise.
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Kids are very cruel to each other.
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It's very easy to run a good 200 m. after an appalling shot put.
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Consumers want products that tell stories, have magic, and inspire.
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I'm somewhat overwhelmed by the microblogging that takes place in China, and the smartphones and all the people that want to take pictures of myself and my family.
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These are matters of external history. They are indeed prominent objects, often changing and giving a new direction to the current; but they tell us not why it flows onward and will ever flow.
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Thus far, at least, the growth effects of energy price increases appear relatively modest.
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Bound to seek recognition of its own existence in categories, terms, and names that are not of its own making, the subject seeks the sign of its own existence outside itself, in a discourse that is at once dominant and indifferent. Social categories signify subordination and existence at once. In other words, within subjection the price of existence is subordination.
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Form follows profit is the aesthetic principle of our times.
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The British playwright Nina Raine is one of her generation's most promising talents.
