John Lahr Quotes
'Angels in America' - which is composed of two three-hour plays, 'Millennium Approaches' and 'Perestroika' - proved to be a watershed drama, the most lyrical and ambitious augury of an era since Tennessee Williams's 'The Glass Menagerie.'
Quotes to Explore
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In 2001, America 's hospitals provided nearly $21 billion in uncompensated health care services.
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I'm French - it's less important. Meaning, I remain a Frenchman in America, but I adapt to American culture. I feel good there - but I'm still a foreigner.
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America is the student who defies the odds to become the first in a family to go to college - the citizen who defies the cynics and goes out there and votes - the young person who comes out of the shadows to demand the right to dream. That's what America is about.
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If you are attempting to study American history, and you don't understand the force of white supremacy, you fundamentally misunderstand America.
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'The Crumbling of America' should be required viewing for local and national government, not to mention the local and national media who should be keeping their feet to the fire on guarding against disaster.
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I really believed that my songs were good enough for the whole world to listen to. I had fans from America or the U.K. who would be like, 'Oh my God, I love your music'.
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I'm so sick of people misunderstanding Asians in America and what we're about.
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We know that the nation that goes all-in on innovation today will own the global economy tomorrow. This is an edge America cannot surrender.
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I became kind of a drop-out in science after I came back to America. I wanted to photograph.
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When historians of early America turned from the pursuit of past politics, they devised a category known in the academy as 'social and intellectual history.' In it, they stuffed nearly everything except politics on the assumption, which the anthropologists assured them was correct, that it would all fit together. Somehow it did not.
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America's growth historically has been fueled mostly by investment, education, productivity, innovation and immigration. The one thing that doesn't seem to have anything to do with America's growth rate is a brutal work schedule.
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President Trump will release America's pent-up energy potential, get rid of foreign oil, trash punitive regulations, create millions of jobs, and develop our most strategic geopolitical weapon: crude oil.
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If you write any kind of fiction about America, you immediately have to start doing some research about guns, so in some ways, 'Gun Machine' is just the culmination of 20 years of reading about guns.
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Because the world is in economic recession, which worsened since this drama happened, and our country will bear the burden of all of these consequences.
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It's hard to do a reality show when there's so much crying and drama.
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I like that whole cop-comedy type of drama.
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I like America, and I think probably the American people like me.
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I do feel really determined, and that I have to pull myself together, but I don't really think like, my market has changed and my company has changed, and I'm going to make it BIG in America!
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Germany has spent the decades since World War II in national penance for Nazi crimes. America spent the decades after the Civil War transforming Confederate crimes into virtues. It is illegal to fly the Nazi flag in Germany. The Confederate flag is enmeshed in the state flag of Mississippi.
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I love that Barry Seal is working for the CIA, and he's an awful liar. It just goes to how honest this character is at the end of the day, even as he rips off the country and the world to the tune of becoming one of the wealthiest men in America. There's an innate honesty, a purity to him.
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I don't get into politics, general or musical, but just call me if you get jury duty. Even in New Jersey I was able to help somebody.
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I can play a man who's despicable. But I'll still look inside him to find a point of connection. If I can find that kernel, audiences will relate to me.
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UNICEF is such a special organization, and to spread the word just makes me so happy.
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'Angels in America' - which is composed of two three-hour plays, 'Millennium Approaches' and 'Perestroika' - proved to be a watershed drama, the most lyrical and ambitious augury of an era since Tennessee Williams's 'The Glass Menagerie.'
