John Lahr Quotes
Samuel Beckett's 'Waiting for Godot,' billed as 'the laugh sensation of two continents,' made its American debut at the Coconut Grove Playhouse, in Miami, Florida, in 1956. My father, Bert Lahr, was playing Estragon, one of the two bowler-hatted tramps who pass the time in a lunar landscape as they wait in vain for the arrival of a Mr. Godot.
Quotes to Explore
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Not only is self-regulation largely a fantasy, but repeated scandals across multiple industries have proved that companies are fundamentally incapable of self-regulating for the greater good.
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I am a massive fan of early electronica like Steve Reich, Pat Metheny and Thomas Dolby. I used to be a big raver, too, so anything dance. I love ambient music like Tunng. I love acoustic and classical, too.
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Each of us becomes a new person as we re-describe the past.
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Whenever my body heals and the pain and all the swelling goes away is when I'll be ready.
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What people say isn't going to stop me. I have to do things for myself.
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The wave of the Islamic revolution will soon reach the entire world.
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As an actor, you don't want to play a one-dimensional character.
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It only looks like I get to eat a lot of food on TV. I really just get the one bite and the crew and guests eat everything else.
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I would prefer to have a more appealing job. If I could still change careers, I would prefer it. This unfortunate art is made for long beards and ugly faces rather than for a relatively well-endowed woman.
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Intimate scenes on a movie set are just dry, bizarre things; people standing around.
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That's the way it is with poetry: When it is incomprehensible it seems profound, and when you understand it, it is only ridiculous.
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I just try to be myself, whatever that is. I don't think about how I'll be remembered. I just want to be consistent over a long period of time. That's what the great players do.
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I grew up watching Steven Spielberg and scary movies.
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Univision's close-to-50-year relationship with Hispanics makes us one of the leading media brands in this country and the gateway to connect with this consumer.
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Before you start a business, careful planning is in order to obtain to where you ought to be. The biggest part is to ensure that, once you might have created your own plan, that you simply take motion. Without motion, you are unable to succeed.
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I've done a lot of partying in my time because I didn't want to go home and I didn't know what to do.
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If I thought that any of this was pre ordained, then it takes away any kind of incentive to struggle, or to put up with things, to reach for those impossible dreams, all those dramatic things.
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Film is such a very good tool for communicating emotions, and all designers and creative people look to inspire an emotional response.
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Fortunately for me, it's my most favorite drill, and that is finishing. However, from a young age, soccer players in this country are not taught how to properly finish, and I think you see that through the professional ranks, that we don't have that killer instinct of the forwards from other countries.
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Very often in everyday life one sees that by losing one's temper with someone who has already lost his, one does not gain anything but only sets out upon the path of stupidity. He who has enough self-control to stand firm at the moment when the other person is in a temper, wins in the end. It is not he who has spoken a hundred words aloud who has won; it is he who has perhaps spoken only one word.
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I want to be able to say what's on my mind and in my heart and what I think is helpful and useful without somebody getting angry, some special interest group deciding this is the time to silence a voice of dissent and attack affiliates, attack sponsors. I'm sort of done with that.
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Perhaps all the dragons of our lives are princesses who are only waiting to see us once beautiful and brave.
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The sum which two married people owe to one another defies calculation. It is an infinite debt, which can only be discharged through all eternity.
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Samuel Beckett's 'Waiting for Godot,' billed as 'the laugh sensation of two continents,' made its American debut at the Coconut Grove Playhouse, in Miami, Florida, in 1956. My father, Bert Lahr, was playing Estragon, one of the two bowler-hatted tramps who pass the time in a lunar landscape as they wait in vain for the arrival of a Mr. Godot.
