John Lahr Quotes
Of the modern critics, although I disagree with almost everything she says, I admire Mary McCarthy's eloquence and social observation in 'Sights and Spectacles'; she thinks in print, but she doesn't have a real feel for the stage.
Quotes to Explore
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There is nothing out there that I have a grudge against or I have a problem with.
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House was the first film where I had no influence on the script. I had to buy the script with the game rights.
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To his credit, Obama has undertaken a truly ambitious effort to redefine the United States' view of the world and to reconnect the United States with the emerging historical context of the twenty-first century. He has done this remarkably well.
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I only buy a computer when it's two years old, after the glitches have been worked out.
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The Hungarian ministry begged the king earnestly to issue orders to all troops and commanders of fortresses in Hungary, enjoining fidelity to the Constitution, and obedience to the ministers of Hungary.
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The studio didn't ask them to learn their trade, they just worked them, and when that personality or that gimmick or whatever they had ran dry at the box office, they were dropped and out.
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I've known the glory of the stage and the glory of the spotlight. I still crave it. I want to be on 'American Bandstand' and 'Soul Train' as a solo artist. As a producer, songwriter and arranger, I help other artists say what they want to say. But on my records, I say what I want to say.
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The first time I heard Adam Feeney and Chester Stone Hansen's 'Vibez,' it was used in Drake's '0-100' as a sample.
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Movies are a complicated collision of literature, theatre, music and all the visual arts.
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In order to go on living one must try to escape the death involved in perfectionism.
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The right of petition is an old undoubted household right of the blood of England, which runs in our veins.
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I'll admit it: I'm a control freak. I am. If I'm going to do something, I'm going to do it 110% or there's no point in doing it at all, especially if the work takes me away from time with my husband and children.
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There's an academic tradition called the 'Last Lecture.' Hypothetically, if you knew you were going to die and you had one last lecture, what would you say to your students? Well, for me, there's an elephant in the room. And the elephant in the room, for me, it wasn't hypothetical.
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My character Saurabh Singhania is a rich, bad guy who is driven by revenge, so much that you feel like scratching his face or throwing stones at him. The intimate scenes in the trailer are creating quite a buzz... I wish they had shown more of the story instead of the sizzling scenes. The film is not about boldness or intimacy.
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I'm a soccer mom. I'm T-ball, soccer, karate, homework, keeping them on their schedules. I love being the snack mom, when I get to bring the cut oranges. I have one of those coolers with wheels. I'm at every game, every practice, sitting on my blanket. I love it.
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Tenderness is a virtue.
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I didn't particularly like being objectified.
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When we fall on the ground it hurts us, but we also need to rely on the ground to get back up.
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I wrote a graphic novel called 'Soul Stealer' with big, beautiful, epic artwork by Chris Shy. It grew into a trilogy.
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I used to get some flack from my agents because I wouldn't even audition for parts where the hero uses violent force to be a hero.
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I'm very flash and burn - the first thing that comes to mind is obviously the best idea, and that's because it should come out of a natural place, and if you don't do that then you're writing someone else's music, not your own.
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Whatever you see me do is spontaneous reactions on stage. It's nothing planned. It's nothing that I got in the room and tried to think of hard. It just happens through feeling.
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Of the modern critics, although I disagree with almost everything she says, I admire Mary McCarthy's eloquence and social observation in 'Sights and Spectacles'; she thinks in print, but she doesn't have a real feel for the stage.
