John Lancaster Spalding Quotes
The test of the worth of work is its effect on the worker. If it degrade him, it is bad; if it ennoble him, it is good.
Quotes to Explore
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My activism and sexual revolution in New York was a factor.
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I think 4 percent growth is a good goal. And I think the fact that we have become used to an economy that sort of putt putts along between 1 and 2 percent is sort of tragic.
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What's interesting about Stephen Baldwin is that me and Dana Gould were originally cast for 'Bio-Dome' – but Pauly Shore and Baldwin ended up doing it. So there's a little movie trivia for ya.
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Not to speak disparagingly of Justin Bieber or Rihanna, but they're not so hands-on with their image or their sound. They don't write the music. They have people doing things for them.
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I like 'The Nightly Show.' People ask me what it is, and I say, 'If you're watching 'The Daily Show,' and it feels like it's getting a little darker, you're probably watching 'The Nightly Show.''
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My personal view is that I am opposed to the death penalty.
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Unfortunately, America doesn't have a minister of culture, and I don't understand why. It's really bad for young people.
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Our international success started out first because we became the No. 1 casual wear brand in our home market of Japan. Then, we set up stores in the world's major fashion centers of New York, Paris and London.
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I ran for Congress in 2012 because I had had enough. Enough of career politicians, enough of political gamesmanship, and enough of the lack of leadership in Washington.
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I think one thing that's important to maintain is a sense of fear, always doubting yourself... a good dose of insecurity helps your work in some ways.
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We shook up the industry with our landscape-changing deal to acquire Time Warner, the logical next step in our strategy to bring together world-class content with best-in-class distribution which will drive innovation and more choice for consumers.
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My parents come down to Los Angeles a lot.
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I have a Rhodesian Ridgeback dog named Lola.
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In this culture, where entertainers and athletes wield such power, it seems only right to me that they try to make their influence a good one.
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For years I've wanted to write about the Australian countryside, but, like most Australians, I've only got a tourist's knowledge of it. I thought that if I disobeyed that basic rule of writing - write about what you know - I'd write a thin and inauthentic book.
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I didn't grow up in one of those restrictive Christian households where you couldn't do this or that. We were brought up with a great collection of good morals and good values, but we also had fun. We'd go to church on Sunday, but then have ice cream, roller skate or play in the park afterwards.
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In spite of holidays when I was free to visit London theatres and explore the countryside, I spent four very miserable years as a colonial at an English school.
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I saw Damien Rice in Dublin when I was 13, and that inspired me to want to pursue being a songwriter... I practised relentlessly and started recording my own EPs. At 16, I moved to London and played any gigs I could, selling CDs from my rucksack to fund recording the next, and it snowballed from there.
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Anyone can call himself a promoter. Anyone can call himself a promoter and stage a fight. Unlike other professional sports, whose owners collude out of mutual interest in their sport's image and general welfare, there are no real alliances or partnerships in boxing.
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I have been working professionally in the entertainment industry since I was six.
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There's no writer's block; there's only distraction.
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We want to take a decision that is part of a solution, not part of a problem, and therefore it has to be well explained and understood by everybody.
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The test of the worth of work is its effect on the worker. If it degrade him, it is bad; if it ennoble him, it is good.
