John Lasseter Quotes
Every movie has three things you have to do - you have to have a compelling story that keeps people on the edge of their seats; you have to populate that story with memorable and appealing characters; and you have to put that story and those characters in a believable world. Those three things are so vitally important.
Quotes to Explore
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When belief in a god dies, the god dies.
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Social revolutions are never simple.
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Don't be afraid to fall flat on your face.
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I get up late, have an espresso, and immediately start work. I try to get roughly caught up on email before I leave the house, then if I need to write anything or review a complex deal, I do that, and then I head to the office and work on my top few priorities for the day. I try to schedule my meetings in the afternoon.
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I've found that entrepreneurial success usually comes through great execution, simply by doing a superior job of doing the blocking and tackling.
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As independent filmmakers, we are actually deeply dependent on each other. The Spirit Awards are a public expression of those bonds, the intricate set of relationships and histories that we filmmakers depend on to make our most personal work.
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They show that roughly two-thirds of a group of neurotic patients will recover or improve to a marked extent within about two years of the onset of their illness, whether they are treated by means of psychotherapy or not.
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In a repressed society, artists fulfil a sense of harking back to instant gratification, or immediate expression, by doing things that function on the edge of society, or outside of what is conventionally accepted.
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I think every day we look at the mess of the chaos of the civil war in Iraq, I think every day people become more and more convinced that the war was a mistake. I think we have to learn from the mistakes of our past.
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I told myself, 'I am teaching entrepreneurship, so I should be an entrepreneur myself.'
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I usually have more than one thing I'm working on at once - I've been working on three different novels. When I get stuck on one, I hop back and forth.
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If you saw pictures of me as a kid, you'd laugh because I was always in football kit.
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A revolution is a struggle to the death between the future and the past.
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The successful man will profit from his mistakes and try again in a different way.
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Whether slavery shall go into Nebraska, or other new territories, is not a matter of exclusive concern to the people who may go there. The whole nation is interested that the best use shall be made of these territories. We want them for the homes of free white people.
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All our wives are experimental psychologists.
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It was always sort of my dream to make handbags and I wanted a handbag that was very sharp, very structured, very tailored... I wanted a bag you could put all of your things in it, you can open it, you could close it, you could hid all your tricks, but it's not all lumpy.
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Online hierarchies are inherently dynamic. The moment someone stops adding value to the community, his influence starts to wane.
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It would be good if teachers could genuinely understand that black English is not mistakes, it's just different English, and that what you want to do is add an additional dialect to black students' repertoire rather than teaching them out of what's thought of as a bad habit, like sloppy posture or chewing with your mouth open.
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I love historical movies. I want to make a violent medieval epic.
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I count 'Underworld 4' as my training period for 'Total Recall.' I do think it was hard because I didn't realize how tired I was. It is quite a lot to sustain that kind of physical work over nine months altogether and by the end of it, I definitely felt like I had aged quite a bit in that year.
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The system of creating opportunities for those who were by law excluded, you've got to do that. But you mustn't create a perception that the process is devoid of competitiveness... devoid of building a world class, sustainable black business community.
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There has always been tension between reporters and the administration, particularly when it comes to war in the modern era. You can go to Kennedy or Johnson and see that they weren't happy with David Halberstam or Morley Safer.
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Every movie has three things you have to do - you have to have a compelling story that keeps people on the edge of their seats; you have to populate that story with memorable and appealing characters; and you have to put that story and those characters in a believable world. Those three things are so vitally important.
