John Lasseter Quotes
I've often heard people say that managing creative people is the hardest thing in the world. 'They're never happy, they drive up the cost of things, blah blah blah.' I just manage people the way I always wanted to be managed. That is, to be creatively challenged, but never to be told what to do.

Quotes to Explore
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I live in the moment, and I reflect later.
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I was born in the city's general hospital on November 15, 1930, and we lived at 31 Amherst Avenue in the western suburbs. It was a magical place. There were receptions at the French Club, race meetings at the Shanghai Racecourse, and various patriotic gatherings at the British Embassy on the Bund, the city's glamorous waterfront area.
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You should never say 'D'Brickashaw' and 'bust' in the same sentence. You should never even think that. It should be D'Brickashaw, Pro Bowl, D'Brickashaw, Jets, Super Bowl.
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Advertising is a racket, like the movies and the brokerage business. You cannot be honest without admitting that its constructive contribution to humanity is exactly minus zero.
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In a family of all girls, I was always the 'boy' in my mind - the protector, the masculine one. No one would ever have to worry about me.
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As an actor, you read so many scripts and parts written for Asian-specific characters, and you see a lot of stereotypes and a lot of one-note characters, especially in comedy.
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If you date one woman a year, times 10 years, and that's 10 women.
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Social revolutions are never simple.
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When I was in jail, I was a lot of people's favorite person. I practically ran the jail. I had more freedom than the police.
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I really don't believe in magic.
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My little circle of friends know how twisted my brain is. I'm constantly reading and people always think, 'Ah, we didn't know that about you', but that's part of my charm.
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Speaking is physically difficult for me.
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I've had completely gray hair since, like, 30.
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There's no single company in the whole world that has a big-scale production base and at the same time has screening and distribution channels. Wanda Group is the first one in the world.
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I believe that blues and jazz are the two uniquely American contributions into music.
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What doesn't feel okay to me, what feels a little bit out of balance, is when you want to turn yourself into something else – when you want to be another person.
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I turn people into human beings by not making them into gods.
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The fame that goes with wealth and beauty is fleeting and fragile; intellectual superiority is a possession glorious and eternal.
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In order to figure this artmaking stuff out, it's trial and error and experimentation, and takes some time and hard thinking. Putting work out in many forms and stages is an extension of how I see things. I feel the art process is best served when it invites comments and constructive criticism from people.
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Lady Jaye and I always thought black eyes were really sexy.
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The fact remains that secularism is inherent in the Indian system, in the Indian ethos and culture. India cannot but be secular.
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In Portland, there are so many trained artists and technicians, there's an enormous talent base. And it's not like second-stringers.
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I drank a bottle of wine for company. It was Chateau Margaux. It was pleasant to be drinking slowly and to be tasting the wine and to be drinking alone. A bottle of wine was good company.
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I've often heard people say that managing creative people is the hardest thing in the world. 'They're never happy, they drive up the cost of things, blah blah blah.' I just manage people the way I always wanted to be managed. That is, to be creatively challenged, but never to be told what to do.