John le Carre Quotes
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I mean, I'm in the business of storytelling, not message making.
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The world of spying is my genre. My struggle is to demystify, to de-romanticise the spook world, but at the same time harness it as a good story.
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Thank heaven, though, one of the few mistakes I haven't made is to talk about the unwritten book.
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Until we have a better relationship between private performance and the public truth, as was demonstrated with Watergate, we as the public are absolutely right to remain suspicious, contemptuous even, of the secrecy and the misinformation which is the digest of our news.
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I want to be like Ford Madox Ford. I want to be talking to somebody across a fire, and I want him to join me and listen to me, and if he is fidgeting in his chair, I know I am not doing my job. I am a storyteller, and I know most people like a story.
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I began writing when I was still in the British Foreign Service, and it was then understood that even if you wrote about butterfly collecting, you used another name.
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Novelists are not equipped to make a movie, in my opinion. They make their own movie when they write: they're casting, they're dressing the scene, they're working out where the energy of the scene is coming from and they're also relying tremendously on the creative imagination of the reader.
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Once you've lived the inside-out world of espionage, you never shed it. It's a mentality, a double standard of existence.
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To give the best of the day to your work is most important.
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I've always had difficulties with female characters.
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More particularly, having a largely German-oriented education has made me very responsive to 19th-century German literature.
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For better or worse, I've been involved in the description of political conflict.
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I don't think it is given to any of us to be impertinent to great religions with impunity.
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There are some subjects that can only be tackled in fiction.
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Like every novelist, I fantasise about film. Novelists are not equipped to make a movie, in my opinion. They make their own movie when they write: they're casting, they're dressing the scene, they're working out where the energy of the scene is coming from, and they're also relying tremendously on the creative imagination of the reader.
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I write and walk and swim and drink.
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The monsters of our childhood do not fade away, neither are they ever wholly monstrous. But neither, in my experience, do we ever reach a plane of detachment regarding our parents, however wise and old we may become. To pretend otherwise is to cheat.
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I think bankers will always get away with whatever they can get away with.
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I suffer from the same frustration that every decent American suffers from. That is, that you begin to wonder whether decent liberal instincts, decent humanitarian instincts, can actually penetrate the right-wing voice, get through the steering of American opinion by the mass media.
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Americans believe that if you know something, you should do something about it.
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I'm really a library man, or second-hand book man.
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I worked for MI6 in the Sixties, during the great witch-hunts, when the shared paranoia of the Cold War gripped the services.
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If I had to put a name to it, I would wish that all my books were entertainments. I think the first thing you've got to do is grab the reader by the ear, and make him sit down and listen. Make him laugh, make him feel. We all want to be entertained at a very high level.
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History keeps her secrets longer than most of us. But she has one secret that I will reveal to you tonight in the greatest confidence. Sometimes there are no winners at all. And sometimes nobody needs to lose.