John le Carre Quotes
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I think, increasingly, despite what we are being told is an ever more open world of communication, there is a terrible alienation in the ordinary man between what he is being told and what he secretly believes.
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History keeps her secrets longer than most of us. But she has one secret that I will reveal to you tonight in the greatest confidence. Sometimes there are no winners at all. And sometimes nobody needs to lose.
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But I think the real tension lies in the relationship between what you might call the pursuer and his quarry, whether it's the writer or the spy.
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I do believe very much in movie as a one-man-show. I think that where I've watched movie go wrong, it's usually because the dread committee has been interfering with it.
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I grew up in a completely bookless household. It was my father's boast that he had never read a book from end to end. I don't remember any of his ladies being bookish. So I was entirely dependent on my schoolteachers for my early reading with the exception of 'The Wind in the Willows,' which a stepmother read to me when I was in hospital.
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I happen to write by hand. I don't even type.
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Americans believe that if you know something, you should do something about it.
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In my day, MI6 - which I called the Circus in the books - stank of wartime nostalgia. People were defined by secret cachet: one man did something absolutely extraordinary in Norway; another was the darling of the French Resistance. We didn't even show passes to go in and out of the building.
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I don't know whether it's age or maturity, but I certainly find myself committed more and more to the looser forms of Western democracy at any price.
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I've had nothing to do with the intelligence world since I left it, in any shade or variety.
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I don't think that there are very many good writers who don't live without a sense of tension. If they haven't got one immediately available to them, then they usually manage to manufacture it in their private lives.
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There was an ITV television production of the second novel I wrote, called 'Murder of Quality.' It was a little murder story set in a public school - I'd once taught at Eton, and I used that stuff.
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I remain terrified of the capacity of the media, the capacity of spin doctors, here and abroad, particularly the United States media, to perpetuate false lies, perpetuate lies.
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It's part of a writer's profession, as it's part of a spy's profession, to prey on the community to which he's attached, to take away information - often in secret - and to translate that into intelligence for his masters, whether it's his readership or his spy masters. And I think that both professions are perhaps rather lonely.