Genzebe Dibaba Quotes
Quotes to Explore
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I've been working on this feature script for Master Class, a play by Terrence McNally that won a lot of Tonys.
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People speak of the fear of the blank canvas as though it is a temporary hesitation, a trembling moment of self-doubt. For me it was more like being abducted from my bed by a clown, thrust into a circus arena with a wicker chair, and told to tame a pissed-off lion in front of an expectant crowd.
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Everyone fears the cut of the blade. It doesn't matter after that. I know the spirit survives as there is so much evidence of the survival of the personality in the afterlife.
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I don't start writing a script until I can see it all in my head, then it's a matter of getting it down in white heat.
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It was very difficult when I was trying to figure out how to have a marriage and babies and do this at the same time. There was no handbook. You were making it up as you went along.
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I never got into politics for it to be a career.
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Here's what I have at my advantage: I've never been a personality. I've always been a character actor.
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I made myself famous by writing 'songs' and lyrics about the beauty of the things I did and ugliness, too.
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I don't know how to make Harper and Alloy want me, not just my name.
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I would ask my mother to show me how to walk - and she did show me. That's why I think it's funny when people say, 'Did so-and-so teach you how to walk?' And I always say, 'You must be talking about my mother, because it was my mother who taught me how to walk.'
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I used to sail a lot in all kinds of weather, competing on small sailboats in the ocean. And I travel a lot in Iceland on horses every summer, through the wild areas where there's no inhabitants and there are volcanoes.
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If I buy a game on Steam and I'm running it on Windows, I can go to one of the Steam machines and already have the game. So you benefit as a developer; you benefit as a consumer in having the PC experience extended in the living room.
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This is my trademark: I rip my T-shirt. I'm into the whole showing-a-bit-of-chest-hair thing.
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I've written a screenplay that is a series of monologues and songs; they form this sort of human tapestry across time and place. The form is strange, but I find it really fascinating.
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I feel the audience are friends that have come to see us. That was always how we look on it in the Carter Family. I've never suffered stage fright.
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I dedicated my 20s, my passion and energy to the name 'Rain.' I always did my best, and I thought if I did, it would eventually show, and even if it didn't turn out well, I wouldn't have any regrets.
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I don't think you'll ever be happy about anything unless you've done it.
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My success has got so great, it's like I'm trapped, almost, within it.
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I call for the awakening of our people's ancient soul, capable of opposing a bloodthirsty barbarism.
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It's the thing I struggle with every day: the mental diligence and stamina needed to sit in front of the computer, open the file, start writing and to keep doing so, word after word, until I've created the next story. A combination of learning disability and chronic health issues make that the hardest thing for me.
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I was told by people who wanted to 'help' me that, although I had checked the box on the skills they wanted to see in the quarterly evaluation, they thought that I might want to cut my long hair so that I looked less young.
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The sheer scale of what the Tories are attempting to do is staggering. But Sinn Fein will not agree to this ideologically driven austerity agenda.
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Too many people in the modern world view poetry as a luxury, not a necessity like petrol. But to me it's the oil of life.
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I'm the first from Ethiopia getting 1500-meter world record; that is amazing.
