Geoffrey Rush Quotes
Like any classic you hope to get rid of all the varnish that's built up over the centuries where people expect it to be in a certain way. It's a mighty play. It's about a very old king who also happens to be a very old father, so you've got the state and the domestic levels in there together. It's a story in extremis. Everyone knows the end, there's only two people left alive.

Quotes to Explore
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Claiming to 'fight for small business' is often used as a political tool in Washington D.C., but it is actually the policies behind that battle cry that small firms care about.
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At one level, an award is an endorsement, a confirmation, but I always find myself looking askance at awards and good reviews, as though another Garry Disher had earned them.
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I consider music to be storytelling, melody and rhythm. A lot of hip-hop has broken music down. There are no instruments and no songwriting. So you're left with just storytelling and rhythm. And the storytelling can be so braggadocious, you're just left with rhythm.
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I know every politician spins the truth a little.
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I think Twitter is the future of communications and Square will be the payment network.
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I worry that my daughters are too taken care of.
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We're not ever interested in repeating ourselves or doing what people expect us to do, it's such a turn off.
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You have to interpret what's hot to make it work on yourself. If tweed suits are in, but you're not a suit kind of girl, wear the jacket with jeans and a pair of Converses.
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I've never been good at meditation, but surfing is the closest I've ever come to that inner something.
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As a free-speech advocate, I believe that adults should have access to any material they want. As a parent, and a community member, I think people should be able to protect their homes from imagery - much of it violent - that is, I feel, a form of child abuse when adult society inflicts it upon children.
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There is nothing, really, that I wouldn't write about, and I do write about a lot of grim things.
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By the time I got to Bournemouth Art College, I'd been so inspired by Sam Raimi and Robert Rodriguez and their tiny, no-budget films that I decided to do a feature-length version of 'Fistful Of Fingers.'
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Men are sort of doofuses about sunscreen, and for the most part, women are more inclined to take better care of themselves, but a reminder is always good for everyone.
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I'd never been published when I was young.
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My original idea was to produce and not make records myself.
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Some of the craziest people I've met, in my life, are some of the most brilliant people I've met.
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It requires genius to make a good pun - some men of bright parts can't reach it.
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It's linkage I'm talking about, and harmonies and structures, And all the various things that lock our wrists to the past.
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I don't find it very helpful to know who else is going up for stuff, generally.
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I really write for people.
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Nature does not have to insist.
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But sometimes the very things you fall in love with people for, become the things you like least about them, in the end.
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Like any classic you hope to get rid of all the varnish that's built up over the centuries where people expect it to be in a certain way. It's a mighty play. It's about a very old king who also happens to be a very old father, so you've got the state and the domestic levels in there together. It's a story in extremis. Everyone knows the end, there's only two people left alive.