Geoffrey West Quotes
My provocative statement is that we desperately need a serious, scientific theory of cities and scientific theory means quantifiable, relying on underlying generic principles that can be made in a - put into a predictive framework. That's the quest.
Quotes to Explore
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I was 21 in 1968, so I'm as much a child of the '60s as is possible to be. In those years the subject of religion had really almost disappeared; the idea that religion was going to be a major force in the life of our societies, in the West anyway, would have seemed absurd in 1968.
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A theoretical system does not merely state facts which have been observed and that logically deducible relations to other facts which have also been observed.
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I love to push myself.
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Out with stereotypes, feminism proclaims. But stereotypes are the west's stunning sexual personae, the vehicles of art's assault against nature. The moment there is imagination, there is myth.
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The SAS is the most elite of the special forces in the world. They are not people who go out and advertise; they keep it inside. They don't want anybody to know about them.
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I've taken Saturdays to be the day I pull back completely. I do things that are more creative, and I've actually found that helps me when I get back into work to be more thoughtful, and I truly believe that feeding your creative soul is really important to being more analytical.
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Our publicist at Warner Brothers is a young guy who has worked so hard for seven years with us and when we saw him backstage he broke down and cried. He couldn't believe it happened. It was seeing him so overcome when we realised how much it really meant.
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The war on drugs is wrong, both tactically and morally. It assumes that people are too stupid, too reckless, and too irresponsible to decide whether and under what conditions to consume drugs. The war on drugs is morally bankrupt.
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Nations consist of people. And with their effort, a nation can accomplish all it could ever want.
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You don't master your fear. You're not able to say, 'I'm not going to be scared.' But what you can do is say, 'OK, I'm very very scared, but I have to do this and this and this.'
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Well, I don't think I've ever consciously come up with tricks and tools to, kind of, hide. I do think I'm a bit more vigilant, in terms of safety issues and things. And sometimes it is kind of nice to try to hold onto your anonymity.
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Most people would identify with the fact that we tend to be defined by the struggles we came through than by the successes. And certainly for me that's true.
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There's a play that Chekhov wrote called 'Uncle Vanya,' and I when I was in school, I played Sonya, and sometimes people ask me if there was ever a role I could play again, that's definitely the role I would play again: Sonya in 'Uncle Vanya.'
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Let me tell you, 'The Reader' was not glamorous for me in terms of the body-hair maintenance.
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I'm a woman who is very confident with the body, with my body.
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It's hard to say what I want my legacy to be when I'm long gone.
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VW has held a beloved place in American culture. When I graduated from college, many of my friends drove across the country, and most hit the road in a VW van or Bug. Through the years, these cars have represented youth, freedom and quirkiness.
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I like ground and pound; I don't know if it is like a technique or discipline. I like to be on the ground, but I don't necessarily go for submissions or anything.
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My style is an extension of acting and an outcome of some serious lessons I picked up learning when I did theatre in my early days.
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I was always interested in music, I felt it was time to do it, coming out of the punk scene 1979. I thought it was ideal that anyone could just put together a group and make it work. Then, of course, it became a little more detailed after starting it and realizing that it was something serious, not just a one-off situation. I had to put a lot more into it. Also I did it to get a lot of things out of my system, things that had been put there while I was growing up in my family. A sort of exorcizing of demons.
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I never really liked Italy. 'Lots of cement' is my long-standing quote.
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I want to have my own line and collection.
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Over the years, my 'Door' paintings have become somewhat mythologized.
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My provocative statement is that we desperately need a serious, scientific theory of cities and scientific theory means quantifiable, relying on underlying generic principles that can be made in a - put into a predictive framework. That's the quest.
