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Even the two novels I've written were based on true stories. It's how I'm wired - real life is fascinating and fantastical enough. The kind of journalism I did unpeeled lids from cans otherwise sealed.
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I love football. I played it into two years of college.
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Film brings together framing and light and color and performance and music and all of that. To me, everything I've done in my life has been preparing me for filmmaking.
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I wouldn't let my children play football.
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I can't worry about the consequences of what I do; that's not my job.
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Will Smith is the most successful money-making movie star on planet Earth, in terms of just how many people have gone to see his films, so Will is a guy who gets movies made.
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I was a war correspondent and journalist for a long time, and I was very near the towers on 9/11 and very shortly after in Afghanistan.
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I start each of my scripts by going on a journey of painstaking research and discovery, much as I do a piece of long-lead journalism.
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Like every other industry or institution, the journalism world is populated by the petty and fearful, in addition to the courageous and brilliant.
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Large corporations have the ability to distract people with controversy that just distracts people from what's great about the movie or what works about the movie.
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The story of Bennet Omalu is a riveting story; it's just a riveting tale. I knew from the beginning if I stayed close to that kind of storytelling and focussed on the character, then the other stuff comes along with it, and the message becomes baked into the journey.
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'Parkland' is not out to pick a fight and start a dialogue about conspiracy.
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I am an old journalist, so I always do a lot of research and dive deep into people's character, who they are, and their motivation.
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I played football the whole time I was growing up, and through two years of college. I think it's a beautiful game in many respects, one that allows you to follow a player from boyhood through manhood.
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There was absolutely zero discourse between me or anybody at the studio with the NFL. None. The only exchange was one-sentence e-mails trying to arrange a meeting, before deciding to cancel the meeting. Period. End of story.
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Serious collectors and art experts, among the world's most educated, often cannot fathom the possibility of being rooked, and then once taken, cannot face the humiliation of admitting it.
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I was a war correspondent. I've watched great people crumble under pressure and make bad decisions.
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When you're researching something for a movie, you get a very different kind of reaction than when you're researching something for an article for 'The New York Times.'
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My politics are very centrist and sometimes, especially when it comes to foreign affairs, lean to the right.
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Refugees tend to avoid planes, airports and fake passports, even though flying may appear to be the most obvious way to flee. For one thing, security procedures at airports are far stricter than at land borders.
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I did nothing at the behest of the NFL, for the NFL, against the NFL.
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Hard information on the quantity of bogus art sold is difficult to come by, in part because fraud, when discovered by dealers and auction houses, is usually kept secret to boost public confidence in the art market.
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Melted down, silver is worth a little more than four dollars an ounce. But carved, inlaid, and engraved, and identified with a particular year, it becomes the direct reflection, often the literal record, of human history, our movement through time.
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I love the game. I love to watch. I watch it with my kids. I'm able to divorce the beauty of the athletics from the corporate entity that is the National Football League.