R. L. Stine Quotes
When I write for kids, I have to make sure they know what can't happen. They have to know it's a fantasy. But when I write for adults, they have to think it's real. Every detail has to be real or they won't buy it.
Quotes to Explore
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I think by laying it out for the viewer I'm avoiding the issue of bias.
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There's always going to be a little bit of autobiographical content to everything. It's how you lend some authority to what you write - you give it that weight by drawing on your direct experiences and indirect experiences from people that you know well, or a little.
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I think I'm developing a kind of subconscious loathing of the word 'franchise.' I just think of something that's packaged, something you can buy on a shelf and is immediately disposable. I don't know. It's a really weird word for me.
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I hope kids feel gratitude for what they do have.
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Read over your compositions, and when you meet a passage which you think is particularly fine, strike it out.
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Eliza Factor's first novel, 'The Mercury Fountain,' explores what happens when a life driven by ideology confronts implacable truths of science and human nature. It also shows how leaders can inflict damage by neglecting the real needs of real people.
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I'm sensitive, you know, about some things, and as some of my partners could attest to, incredibly insensitive.
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I think the CG is an instrument to create reality. I don't think it's an instrument to create a heightened reality.
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I don't know any member of Congress who ever said, 'I'm satisfied with the communication that we have from the White House.'
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I think I've paid my dues. I've really put in a lot of time on set.
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One of the things I think is important about 'Watchmen' is that it have resonance within cinematic pop culture as well as superhero culture.
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I like to do comedy. It's my real passion. I want to make people laugh.
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You know in the West they support realistic forces.
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Get yourself into every audition that you can. Even in those for smaller roles, you'll never know when someone may recommend you for a bigger one.
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If I recall correctly, I think I signed my first contract with Tor in 1983.
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I don't think fashion is evil.
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I don't think there's ever a right time to have kids. I'm actually pretty glad it's happened quite young.
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I'll say that I don't think you can throw a stone and not come in contact with someone who knows someone or has problems with substance abuse.
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Small players learn to be intuitive, to anticipate, to protect the ball. A guy who weighs 90 kilos doesn't move like one who weighs 60. In the playground I always played against much bigger kids and I always wanted the ball. Without it, I feel lost.
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Playing to bigger audiences at festivals got me in the mindset of writing music that I would sing to a crowd.
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All men & women are created equal.
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I say accessorize, accessorize, accessorize. If you don't accessorize, someone else will.
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So there clearly is a sense in which the Labour Party here, certainly at State level is reaching out and connecting with people and reflecting the aspirations and needs of, you know the mass of ordinary Australians.
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When I write for kids, I have to make sure they know what can't happen. They have to know it's a fantasy. But when I write for adults, they have to think it's real. Every detail has to be real or they won't buy it.
