R. L. Stine Quotes
When I write for kids, I have to make sure they know what can't happen. They have to know it's a fantasy. But when I write for adults, they have to think it's real. Every detail has to be real or they won't buy it.
Quotes to Explore
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I think by laying it out for the viewer I'm avoiding the issue of bias.
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There's always going to be a little bit of autobiographical content to everything. It's how you lend some authority to what you write - you give it that weight by drawing on your direct experiences and indirect experiences from people that you know well, or a little.
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I think I'm developing a kind of subconscious loathing of the word 'franchise.' I just think of something that's packaged, something you can buy on a shelf and is immediately disposable. I don't know. It's a really weird word for me.
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I hope kids feel gratitude for what they do have.
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Read over your compositions, and when you meet a passage which you think is particularly fine, strike it out.
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Eliza Factor's first novel, 'The Mercury Fountain,' explores what happens when a life driven by ideology confronts implacable truths of science and human nature. It also shows how leaders can inflict damage by neglecting the real needs of real people.
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I'm sensitive, you know, about some things, and as some of my partners could attest to, incredibly insensitive.
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I think the CG is an instrument to create reality. I don't think it's an instrument to create a heightened reality.
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I don't know any member of Congress who ever said, 'I'm satisfied with the communication that we have from the White House.'
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I think I've paid my dues. I've really put in a lot of time on set.
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One of the things I think is important about 'Watchmen' is that it have resonance within cinematic pop culture as well as superhero culture.
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I like to do comedy. It's my real passion. I want to make people laugh.
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You know in the West they support realistic forces.
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Get yourself into every audition that you can. Even in those for smaller roles, you'll never know when someone may recommend you for a bigger one.
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If I recall correctly, I think I signed my first contract with Tor in 1983.
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I don't think fashion is evil.
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I don't think there's ever a right time to have kids. I'm actually pretty glad it's happened quite young.
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I'll say that I don't think you can throw a stone and not come in contact with someone who knows someone or has problems with substance abuse.
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Obviously, a lot of things play on your mind when you're batting. This might happen and this might not. The best thing you can do when you're batting is not to think too much, and wait for the next ball.
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I do think that Live Aid (1985) (TV) was a great thing, it focused people, I think it showed young kids the way in many respects and I think a lot of people are still inspired by what happened in the mid-Eighties.
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The physical ego, the active consciousness in man, should uplift its body-identified self into unity with the soul, its true nature; it should not allow itself to remain mired in the lowly delusive strata of the senses and material entanglement.
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Vulgar and common persons, as they carry nothing out of this world, so they leave nothing in it: they receive no eminency in their birth, they acquire none in their life, they have none when they die, they leave none at their death.
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All of us should be on guard against beliefs that flatter ourselves. At the very least, we should check such beliefs against facts.
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When I write for kids, I have to make sure they know what can't happen. They have to know it's a fantasy. But when I write for adults, they have to think it's real. Every detail has to be real or they won't buy it.
