Edward Enninful Quotes
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I am black in a predominantly white industry, and I have been luckier than most.
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You could say slowly but surely, the world is changing in a good way - equality in all forms is more and more part of the global conversation, and people are celebrating diversity and individuality.
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A lot of my friends, we all grew up sort of not very wealthy. And in England, whatever ends up being a negative, that's a positive.
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I was really sheltered growing up, with six brothers and sisters. We played together all the time, and I was living in a fantasy world, like most creative people.
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Coming from a family who put a lot of emphasis on academics, I always thought I was going to be a lawyer.
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It was a whole new attitude: no makeup, less is more... the '90s were fun!
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Growing up, I loved the imagery I saw from America as it celebrated being the land of the free and home of the brave.
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I've always been very fascinated by technology - the Internet, social media.
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I want 'Vogue' to feel like a shop that you're not scared to walk into, one that's quite welcoming.
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'British Vogue' is a great magazine with a legacy of creativity and innovation.
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I'd never seen anything like it in my life. Someone so blatantly challenging the ideas of race and gender and sexuality. In a way, it was comparable to David Bowie, except that Prince brought that to the black community.
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When you start out in the industry and things are tough, and you're not really making money, you question yourself: should I give up?
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By people getting together and celebrating this idea of togetherness, great things can happen.
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The more you style, the better you get. Don't give up. At a certain point, the magic happens.
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I don't think everything has to be new all the time. You don't have to have the latest designer all the time to look good. Just have things you're comfortable with, have key pieces that you can sort of reinvent over and over again, and always keep things that you really love for a while.
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The fashion industry needs to breed a whole different way of thinking. We need more diverse people working in all facets of the industry.
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I realise I am stepping into the shoes of a hugely respected editor in the shape of Alexandra Shulman, someone who has chosen to leave at the top of their game with a legacy of 25 years of success.
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I felt like I grew up with Bowie. I never dressed like him, even though I did love the music, but consistently throughout my career he has been a go-to reference point: The suit from 'Young Americans,' or the gold Missoni-type looks of Ziggy Stardust. 'The Berlin Years' still influences me.
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I'm just propelled by insecurity; that's what really leads me to want to do better.
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With Rihanna, it's always a collaboration, and that's why I love her so much.
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Music, for me, is as important as fashion. The first visuals I remember are Elvis Presley, David Bowie, New Romantics, and different punk bands.
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I grew up in west London, but my dad wouldn't let me go to school there, so I went in south London.
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I didn't grow up with money; I didn't come from a rich family. But what fashion gave me was an escape into a world of creativity: if I couldn't afford that Junior Gaultier jacket, then I'd get one from the market and customise it.
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I take random inspiration from everywhere.