Edward Enninful Quotes
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When you start out in the industry and things are tough, and you're not really making money, you question yourself: should I give up?
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I'm very proud of the world that's embracing all these different ideas of what it is to be diverse, in 2017.
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People like me thought America was the best place to be creative, to be free to create, to have the freedom to be who you are.
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I felt like I grew up with Bowie. I never dressed like him, even though I did love the music, but consistently throughout my career he has been a go-to reference point: The suit from 'Young Americans,' or the gold Missoni-type looks of Ziggy Stardust. 'The Berlin Years' still influences me.
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I didn't know anything about the fashion industry until I met the stylist Simon Foxton on a Tube. I was 16, on my way to Kingsway College, and then my whole world opened up. Before that, like in every African family, you are meant to be a lawyer.
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I realise I am stepping into the shoes of a hugely respected editor in the shape of Alexandra Shulman, someone who has chosen to leave at the top of their game with a legacy of 25 years of success.
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When I started in the nineties, a sample size was a 4 and a 6.
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My memories of London Fashion Week are of starting out and not getting many tickets for fashion shows, but wanting to see them so much that I'd sneak in with my friends, people like Pat McGrath and Craig McDean.
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My mother and father just taught me the basics: to be really kind, to really listen to people. I have never been one to put on airs and graces.
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I learned that fashion was about more than fancy images. That there was a business side as well.
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Most of the time, working as a stylist, you're at home, working on your own, researching.
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People of power have to show empathy and kindness to the young.
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A queen does not wear clothes off the runways.
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Diversity is very important for me.
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I am definitely allergic to wheat. Every time I eat it, I feel awful.
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My mother was a seamstress, so I always grew up with her making clothes. I knew how to construct outfits. I knew how to sketch. I knew how to customise. But I could never imagine it as a career.
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When I was really young, I had an afro and wore pressed jeans and argyle sweaters. In my teens, I moved on to ripped Levi's jeans, white T-shirts, and cowboy boots.
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Prince was not scared. The first time I heard someone sing about AIDS, it was Prince: 'In France, a skinny man died of a big disease with a little name.' He was not afraid of taboos.
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There is nothing more classic in the realm of casual than jeans and a white tee - a look that is inherently Americana and reminiscent of the American Dream - an optimistic dream of opportunity, individuality, freedom, and the embodiment of one living their truth.
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My 'Vogue' is about being inclusive; it's about diversity. Showing different women, different body shapes, different races, class. To be tackling gender.
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When I was growing up, David Bowie was my idol. I grew up in inner-city London, and he was from Brixton, which is even more urban.
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In my work, I have always tried to push the boundaries of what fashion can do.
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I can't just go in and throw clothes at a picture. I still have to have some kind of an idea of a character, of who she is, where she's from. It's almost like playing a child's game. You have your dolls, and you create characters for them. Fashion indulged that in me.
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For me, fashion succeeds when it says something about the times we live in.