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The Wodehouse language is so rich and detailed and hilarious.
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The Broadway audience is made up of a greater percentage of tourists now. There's not nearly as much variety and danger and challenge in what's being offered.
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I tell young people, including my own kids, don't do this, it's too difficult. It's a career full of rejection, disappointment and failure. It's murderously hard on the ego. Don't become an actor.
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If I don't enjoy it, there's something seriously wrong. There's a reason why they call it playing, what we do. It's ecstatic fun, and I overdo it - I mean, I can't seem to stop - people ask me to act, and I say yes.
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I work very hard on motivating everything I do as an actor. Explosive moments have to be completely motivated; whether they're explosive comedy or explosive horror, they have to come organically out of a scene and an interaction with another actor.
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One of the things you learn as an actor is that human beings are capable of almost anything. I'm sort of in the business of illustrating that fact.
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I look on myself as a sort of hybrid, having grown up in the world of Shakespeare out in the cornfields of Ohio.
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'Love Is Strange' was just a beautiful experience in so many ways.
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One of the problems in our lives is that people from different segments of our society just don't communicate with each other, nor do you ever see entertainment where they communicate with each other and fight with each other.
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My wife is a professor at UCLA in Los Angeles, but otherwise, I'd be right back living on the Upper West Side.
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Other people have often had more faith in me than I had in myself - I never thought I could pull off Roberta Muldoon in 'The World According to Garp,' or 'Of Mice and Men's' Lennie as one of my first acting jobs.
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For me, working on stage is much more exhausting than all the other mediums, but it's also much more thrilling.
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I really prize and love great painting.
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My very first role was when I was 2 1/2 years old; I was one of Nora's children in 'A Doll's House,' with my father playing Torvald.
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When I was 13 years old, I went to visit my aunt and uncle in Washington, D.C., and they just deposited me at the National Gallery. I would go from Rembrandt to Picasso - I remember that experience so vividly.
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You don't see many films about a long, long relationship.
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I'm a con artist in that I'm an actor. I make people believe something is real when they know perfectly well it isn't.
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Oh, I'm dying to play Donald Trump someday, just because he's an unbelievable character. I'm a character actor; that's what you look for: outsized human beings.
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I was married very young. I lived a very middle class life. I was married at age 21, divorced at 31.
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If you're an actor, you tend to fool yourself into thinking you're much younger than you are because you're playing parts and behaving like a child all the time.
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I'm a very slow and ponderous reader, but I'm dogged.
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It's a delightful thing to do, to entertain kids. They're a completely different audience because of their total lack of irony. You're always after a total suspension of disbelief, but the only people you can really achieve it with is children.
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The first long chapter of my career was almost entirely theater so that, by the time I was 30, 35, I sort of knew who I was as an actor, and I was gradually learning who I was as a human being.
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Look at the darkest hit musicals - Cabaret, West Side Story, Carousel - they are exuberant experiences. They send you out of the theater filled with music.