John Locke Quotes
Quotes to Explore
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Women in their 40s have gone through quite a few different things, and so the roles are going to reflect that. People say, 'Oh, it's done by 40,' and now everyone knows it's not. I actually feel like the roles are a lot more interesting.
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I'm a big believer if you want to change people's minds or get someone to vote for you, either a voter or a colleague, you've got to first get their attention.
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Ikea people do not drive flashy cars or stay at luxury hotels.
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I think there is some credibility to the notion that marriage is an institution. It meant something very different hundreds of years ago when it became the norm for people to go off and pair.
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I worked as a telemarketer for an SAT-prep company. That was the worst of it, because I had to call people in post-Katrina New Orleans and offer them this very, very expensive SAT class. And I'm not even a good salesman.
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Many people resented my impatience and honesty, but I never cared about acceptance as much as I cared about respect.
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Coming to Nashville has been so motivating and inspirational. Just watching people live and breathe their music and create something that they can feel from start to finish.
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I get so excited when a song I wrote that's very personal to me goes No. 1 and I look down and see people singing the words back to me.
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People are predominant in my paintings. Although they are not obvious, you can feel their presence.
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I don't feel that rap has been respected as an art form. Because people have seen rappers rap off the top of their heads, they don't think it is difficult.
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A lot of people like snow. I find it to be an unnecessary freezing of water.
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AIDS is a horrible disease, and the people who catch it deserve compassion.
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I'm not going to change the world overnight. It's one person at a time, and hopefully they're people in positions of power who can help people get in those roles and really, truly embrace colorblind casting.
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Traditionally with debut albums, labels insist on a face, so people know who you are.
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We have people around the world who live in the United States, and these people don't deserve to be called traitors.
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It makes me happy to think that this world of art-as-investment is a minuscule fraction of the art world overall. Most people who create, trade and own art do it for a much simpler reason. They just like it.
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Collaboration is just, really, a group of people getting in a room with their eye on a very similar prize and wanting to come out with the same show. The director, ultimately, is the guy in front of whom the buck stops. So, he has to have the courage to prevail. But, he has got to have a huge amount of respect for his collaborators.
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You can get any film now basically for free, and that's where I think the model we're talking about is - if you give people what they want, how they want it and when they want it, they're more likely to pay for it.
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I think a first-time director always has to convince a lot of people that they're ready to do it.
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I'm more of a hands-on person. I like working with young people from the standpoint of providing support for the grassroots programs. State, national and Olympic champions begin at a grassroots level.
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The overarching issue, as I see it, is the elitism of America's political system; the fact that regular, ordinary Americans aren't considered in policy debates or legislation, and regularly get shafted by the powers-that-be in Washington.
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I can understand the fact you don't want the ball slipping out of a pitcher's hand because someone can get hurt.
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As people are walking all the time, in the same spot, a path appears.
