John McWhorter Quotes
As far as I'm concerned, and this is a big theme of mine, I'm not interested in white people loving me. It's an unrealistic expectation. Black people don't love anybody but themselves.
Quotes to Explore
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German writers in the late 18th century were the first to uphold a prickly, literary nationalism, in reaction to the then dominance and prestige of French literature.
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I wouldn't mind going somewhere and taking a president position and signing acts and taking the attention off of me and taking what I've learned in my career and applying that to another person's.
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To be outspoken is easy when you do not wait to speak the complete truth.
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Our culture is intent on taking the lines out of people's faces - surgically, with costly creams, and with fear and trembling - when, in fact, the opposite should be the case. As artists know, if there is anything behind a face, that face improves with age.
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One of the recent love stories I enjoyed was Bhaskar's 'Bommarillu.'
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If you don't learn to laugh at troubles, you won't have anything to laugh at when you grow old.
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Our soldiers show every single day that they are more than good enough.
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Social Security is too vital to be lumped into backroom budget talks where the views of ordinary Americans risk going unheard.
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I wake up every morning and I wish I were dead, and so does Jim.
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I don't ever want to be a person that I'm not. A lot of girls fall into the trap where they are trying to impress other people, and that's the time when they lose themselves.
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After so many years of rejection, I felt acting would have to become a hobby rather than a full-time profession.
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Mankind are governed more by their feelings than by reason.
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I don't do meetings.
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Complex tasks are often better handled in the back of our mind, and that's often true of creative tasks - when you have something complex to deal with in writing or research or responding to an email. I'll start working, put it aside, and sometimes I'll wake up the next morning with a solution, or I'll find one when I exercise.
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I'm for people bettering themselves, no matter who they are and where they are, doing all they can to be all they can be.
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I was interested in making work that physically changed as it circulated through the art world.
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I am sure my fellow-scientists will agree with me if I say that whatever we were able to achieve in our later years had its origin in the experiences of our youth and in the hopes and wishes which were formed before and during our time as students.
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When I first started, I just wanted to work. I wouldn't necessarily do anything, but I'd pretty much almost do anything at the very beginning.
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I really have thought about immersive storytelling my whole career, so when I first heard about VR, I was like, 'Oh, this sounds like it's for me.'
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Spare me through your mercy, do not punish me through your justice.
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I like time off because I also have a life outside of theater.
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Part of doing good work is caring deeply about it, believing in what you're doing, and getting incredibly attached to the characters that you're playing, the stories you're telling, and the people you're working with.
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Urban artist have to face the stigma not only from white Australia but black Australia too; that's horrific when people say that their art isn't "Aboriginal" if it doesn't have dots or lines or moieties in it.
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As far as I'm concerned, and this is a big theme of mine, I'm not interested in white people loving me. It's an unrealistic expectation. Black people don't love anybody but themselves.
