John Motson (John Walker Motson) Quotes
Quotes to Explore
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I'll tell you, in my life I've never once have seen a Hispanic panhandler, because in our community, it would be viewed as shameful to be out on the street begging. Those are all conservative values - faith, family, hard work, responsibility.
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You have to really prove yourself to young people, and if your answer is clear and consistent and loving - even if it's angry and disappointed - what's important is that you're being real and honest and not going anywhere.
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The American public got to see for themselves every day, all day, how this trial progressed. There's a lot of value in the public being able to see how the system works.
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I love fire. As a child I loved setting light to things. I'd always be in the forest putting matches to pieces of wood. I've always regarded fire as my friend.
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After school I moved to London to get involved in music. I took the whole thing very seriously.
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When you're young and you're in love and it doesn't work out - it hurts.
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I will never do 'Pulp Fiction 2,' but having said that, I could very well do other movies with these characters.
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You walk on a set, and you have no idea - that's why I don't storyboard. It's all possible.
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It is a waste of money to help those who show no desire to help themselves.
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I don't like music docs, usually. There's nothing to really say. What can you say about music? Normally, you can't say too much. There are a few really good ones, but the majorities are boring, I think.
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My mother lived till she was 95 and never had a line on her face or a frown line. She was beautiful.
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It is everybody's wish to work with Mani Ratnam.
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Rapping is the only time I'm serious.
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Justin Bieber and I are going to get married some day. I also like Tom Cruise. He's very classy.
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We all have an escape. Mine was theater.
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Word-for-word transcription of Scully's call of the ninth inning of Sandy Koufax's perfect game on September 9, 1965
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It is well-known that the friend of a conqueror is but the last victim.
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What is black empowerment when it seems to benefit not the vast majority but an elite that tends to be recycled?
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As animation directors, you're the first one on the film; you're the last one off, and you get to learn from and touch every department throughout the whole journey. I don't know any other job in the world that's like that. I don't think live-action is like that. It's a very different sort of experience.
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Obviously, not the biggest guy in stature. Straight-line speed wasn't my forte either. But I play very fast because I know the game. I take proper angles and know all my assignments.
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There is an image of me in France that is a long stretch from who I really am. I read about this girl who lives in grand hotels and has affairs with American actors - I don't recognise this girl at all. Sometimes it makes me depressed. Sometimes it makes me laugh. Sometimes I think, 'Gosh, that sounds nice, I'd love to be that girl.'
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I always understood my ancestry, like that of so many others in the Gulf Coast, to be a tangle of African slaves, free men of color, French and Spanish immigrants, British colonists, Native Americans - but in what proportion, and what might that proportion tell me about who I thought I was?
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I don't like to be on a set and wait three hours, just to make some lighting adjustments. I like to shoot. That's what I want to do. I'd rather shoot something dumb than wait.
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That shot might not have been as good as it might have been.
